pgm 536

Interpreten:

Edison: Black Orpheus, Ode to Billie Joe

Corea: Crystal silence, Sometime ago / La fiesta, Return to forever

pgm 535

El grupo Osibisa deslumbró al mundo en 1971 con un extraordinario elepé de debut. Homónimo y con extraordinaria portada de Roger Dean. Trataba de describir un amanecer en la planicie africana y la evolución del día. El grupo tenía raíces en Ghana aunque estaban asentados en Londres. Practicaban un rock africano con influencias del jazz y el soul. Tuvieron un éxito tremendo. Su líder era Freddy Ossey, saxofonista y vocalista. Junto a el estaba Sol Amarfio, batería. A finales de año editaron un segundo elepé también estupendo, Woyaya

pgm 533

participen:

Magna Carta, John Renbourn, Richard Thompson, Lindisfarne, Steeleye Span, Corries, Pogues, Bert Jansch & the Corrs

pgm 532

participen:

Brian Auger, Julie Driscoll and the Trinity

Doors

Procol Harum

Byrds

Kinks

Monkees

Mamas and the Papas

Seekers

Diana Ross & the Supremes

Ohio Express

Sandy Posey

pgm 531

'Giant Bones'' There is a slight difference in the tone and attack of the two trombonists that keeps their solos from sounding repetitiously similar. But where Mr. Winding was the more mellow and emotional voice compared to Mr. Johnson's tightly clipped phrasing, in ''Giant Bones'' it is Mr. Winding who is the more staccato of the two while Mr. Fuller uses a darker, more rounded sound.

pgm 522

The original score to Brian DePalma's Mission to Mars was composed by soundtrack legend Ennio Morricone. Morricone's themes for the film incorporate a distinctive, spooky organ that might have sounded more at home in a horror film and often sound incongruous in the context of a sci-fi movie. While Morricone's approach reflects his usual creativity, this time it detracts from the film rather than adding to it.

pgm 521

amb temes de:

Jet propelled photographs, Grides i Fourth

i tambe de:

Two rainbows daily, Hoppertunity (Hugh Hopper)

Joy of a toy, Whatevershebringswesing (Kevin Ayers)

pgm 530

participen:

Moody Blues, Electric Light orchestra, Toto, Asia & the Nice

pgm 529

Interpretant classics com: I got rythm, Moonlight serenade, Someone to watch over me, Maria, Blues in the night, Call me irresponsible, Summertime, Santa Claus is coming to town, etc...

pgm 528

Recorded July 12, 1973, Kleiner Sendsaal, Radio Bremen

n his timeless solo concerts, Jarrett displays the uncanny ability to drop himself into a piece of improvised music as if it has been playing invisibly in the ether all along, requiring him only to pick up from whichever measure he encounters and leave the music to continue on after he has left the stage. This album predates Jarrett’s Köln concert by just two years and was the one that really put him on the map before that legendary successor. Yet we cannot simply say that Jarrett is channeling the cosmos and leave it at that, for he inhabits a melodic space that is tangible, his own. Though filed under jazz, this music is something far more than any generic summary could express. Still, I persist in trying.