Copinya de Volta Verda

pgm 492

participen

Ilegales, Burning, Aviador Dro, Plastico, Tino Casal, Loquillo,

El Ultimo de la Fila, & La Union

pgm 491

participen

Gregory Isaacs, Bob Marley, Jimmy Cliff, Alpha Blondy,

Peter Tosh, Rita Marley, Stephen Marley, Tony Rebel,

Eddy Grant, Delroy Wilson

pgm 490

Klaus Schulze siempre ha sido un seguidor del músico Richard Wagner. En 1975 le dedicó este Timewind, considerado por muchos expertos como su gran obra maestra. Está claro que es uno de sus grandes álbumes, pero estas alabanzas suelen venir de los Estados Unidos, donde fue el único de sus discos publicado durante muchos años, y no había con qué compararlo. Pudo servir este Timewind, dando un paso atrás para observar la carrera de Schulze, como su bisagra personal para pasar del Krautrock a la llamada Escuela de Berlín, estilo el segundo que es heredero del primero, si bien con un toque más cósmico y depurado.

pgm 489

amb temes de: Surrealistic Pillow, After Bathing at Baxter's, Volonteers, Thirty Seconds over Winterland, Red Octopus, Earth, Dragonfly, Freedom at Point Zero

pgm 487

amb temes de

River of no Return, Brigadoon, Paint Your Wagon, Gigi,

That Certain Age, Midnight Cowboy, Lawless, Notting Hill,

Four Weddings and a Funeral, Lost in Translation,

Blade Runner, Monty Python's Life of Brian, Ghostbusters, Northern Exposure

pgm 486

amb temes de:

Fairytale, A gift from a flower to a garden, Sunshine Superman, Love is only feeling, Open road & Folk music at Newport

pgm 485

The 1984 ECM album Tabula Rasa was the vehicle that introduced the revolutionary music of Arvo Pärt to audiences outside Eastern Europe and initiated what was to become one of the most extraordinary musical careers of the late 20th century. Like many of the first generation American minimalists, he limited himself to diatonic harmonies and generated pieces by setting processes in motion, but the radical simplicity he achieved was the result of religious contemplation that was at least as, if not more, formative than his quest for a new musical aesthetic. The result was music suffused by an unhurried, luminous serenity, and while it was distinctly contemporary, it had an archaic quality that tied it to the music of the very distant past.

pgm 484

participen

Coldplay, Frank Black/Black Francis, Chumbawamba, , Muse,

P J Harvey, Procol Harum, Barry Adamson, Belle and Sebastian, Bigott, Shonen Knife, Jayhawks, Train, Weezer

pgm 483

participen

Moby, Tom Petty, Faith Hill, Jamiroquai, Sleater Kinney & Built to Spill

pgm 482

participen

Steve Roach, Vangelis, Godspeed You Black Emperor & Henry Brant