Copinya de Volta Verda

pgm 467

amb:

Hollies, Peter Paul and Mary, Richie Havens, Grateful Dead,

Yo La Tengo, Lori McKenna, etc

pgm 466

amb:

Simon and Garfunkel, Carpenters, John and Beverly Martyn, Everything but the Girl, Peter and Gordon, Hall and Oates, Righteous Brothers, Everly Brothers & Van Morrison with John Lee Hooker

pgm 465

Many years ago, before the band Chicago was synonymous with casino concerts, Darwin Award-worthy deaths, and oldies radio stations, they were one of the most cutting edge rock groups around. Before they were seventy-year old men playing all their big hits for the ten-thousandth time to similarly aged patrons, they were true artists, stirring up passion with incredible precision and intensity. This, their second album, is one of the more remarkable accomplishments of the era in which it was released.

pgm 461

participen:

Pulp, B52, Natalie Imbruglia, David Gray, Kristy MacColl,

Kate and Anna McGarrigle, Maddy Pryor, Beautiful South, Mansun

pgm 460

participen:

Yes, King Crimson, Strawbs, Peter Hammill, Cockney Rebel, Steve Hillage, Van der Graaf Generator & the Enid

CdVV

PGM 459 (07-03-18)

MICHEL HUYGEN & NEURONIUM

tracklist

---------------------------

MICHEL HUYGEN

-Neuromagnetica

-The positive killer

NEURONIUM

-Les tours du silence

pgm 440

participen

John Mayall's Bluesbreakers

Yardbirds

Cream

Eric Clapton

Led Zeppelin

pgm 439

amb temes de:

Mondi Lontanissimi, La Cura, Giubbe Rosse & Echoes of Sufi Dances

pgm 456

The selection of songs is quite impressive, ranging from old standards like "Long Black Veil" to everything from John Lee Hooker's "I'm Gonna Kill That Woman" and Gene Pitney's pop aria "Something's Gotten Hold of My Heart." Matching the range of material, the Seeds are well on their way to becoming the rock/cabaret/blues showband of Cave's dreams, able to conjure up haunting, winsome atmospheres ("Sleeping Annaleah") as much as higher-volume takes (Roy Orbison's "Running Scared," the Velvet Underground's "All Tomorrow's Parties"). The version of Leadbelly's "Black Betty" is particularly grand, Harvey's drumming driving the track with ominous power. This said, often holding everything back is the key, as the creepout build of "Hey Joe" demonstrates. Even more striking is how Cave's own vocals rebut the charges that all he ever does is overdramatize everything he sings -- consider the husky, purring delivery on Johnny Cash's "The Singer." Other winners include a masterful version of Jimmy Webb's "By the Time I Get to Phoenix" and the stately, album-closing "The Carnival Is Over," originally a mid-'60s hit for the Seekers.

pgm 441

participen:

Shadows, Penguin Cafe Orchestra, Procol Harum, Rinocerose, Roxy Music, Tubeway Army, Constance Demby,

Lafayette Afro Rock Band, etc