
Sign up to save your podcasts
Or


On today’s date in 1945, Artur Rodzinski conducted the New York Philharmonic in the premiere performance of an orchestral suite arranged from Aaron Copland’s ballet score Appalachian Spring.
For the ballet’s 1944 premiere at the Library of Congress, Copland called for a chamber orchestra of 13 players, but for most music lovers, it’s as a work for a larger symphony orchestra that Appalachian Spring is most often remembered.
Copland said he had conducted all of his own works but knew his Appalachian Spring best of all. He also had some specific advice for other conductors of his score.
“I have often admonished orchestras, professional and otherwise, not to get too sweet or too sentimental with it,” Copland said, “and I have reminded performers that Appalachian Spring should be played cooler than Tchaikovsky and lighter than Stravinsky’s Rite of Spring.”
“My own favorite place in the whole piece,” said Copland, “is toward the end where I have marked a misterioso. I would tell string players that we don’t want to know where the up and down bows are. They must have a special sustained quality there, a kind of organ like sound, with each entry like an Amen.”
"My own favorite place in the whole piece," Copland said, "is toward the end where I have marked a misterioso. I would tell string players that we don't want to know where the up and down bows are. They must have a special sustained quality there, a kind of organ like sound, with each entry like an amen."
Aaron Copland (1900 – 1990) Appalachian Spring Suite - New York Philharmonic; Leonard Bernstein, cond. Sony Classical 63082
By American Public Media4.7
176176 ratings
On today’s date in 1945, Artur Rodzinski conducted the New York Philharmonic in the premiere performance of an orchestral suite arranged from Aaron Copland’s ballet score Appalachian Spring.
For the ballet’s 1944 premiere at the Library of Congress, Copland called for a chamber orchestra of 13 players, but for most music lovers, it’s as a work for a larger symphony orchestra that Appalachian Spring is most often remembered.
Copland said he had conducted all of his own works but knew his Appalachian Spring best of all. He also had some specific advice for other conductors of his score.
“I have often admonished orchestras, professional and otherwise, not to get too sweet or too sentimental with it,” Copland said, “and I have reminded performers that Appalachian Spring should be played cooler than Tchaikovsky and lighter than Stravinsky’s Rite of Spring.”
“My own favorite place in the whole piece,” said Copland, “is toward the end where I have marked a misterioso. I would tell string players that we don’t want to know where the up and down bows are. They must have a special sustained quality there, a kind of organ like sound, with each entry like an Amen.”
"My own favorite place in the whole piece," Copland said, "is toward the end where I have marked a misterioso. I would tell string players that we don't want to know where the up and down bows are. They must have a special sustained quality there, a kind of organ like sound, with each entry like an amen."
Aaron Copland (1900 – 1990) Appalachian Spring Suite - New York Philharmonic; Leonard Bernstein, cond. Sony Classical 63082

6,881 Listeners

38,950 Listeners

8,801 Listeners

9,238 Listeners

5,825 Listeners

941 Listeners

1,390 Listeners

1,290 Listeners

3,152 Listeners

1,973 Listeners

526 Listeners

182 Listeners

13,784 Listeners

3,091 Listeners

246 Listeners

28,143 Listeners

433 Listeners

5,480 Listeners

2,191 Listeners

14,152 Listeners

6,432 Listeners

2,525 Listeners

4,832 Listeners

574 Listeners

246 Listeners