Move Fast in the Summer is an original vocal house record from Objects of Affection — bright, flirtatious, and built around the tension of pursuit, timing, and emotional speed. The track lives in that beautifully unstable space where attraction moves faster than certainty: polished on the surface, urgent underneath.

Driven by a clean house framework, cool vocal presence, and a hook built for repetition, it captures the feeling of summer as a temporary permission structure — a season where things move quickly, desire sharpens, and hesitation costs you.

House / Vocal House / Dance Pop

125 BPM | G♯ Minor | Camelot 1A

Built for rooftops, terraces, open-air sets, and golden-hour rooms that want brightness without losing shape.

Listen / download: https://hypeddit.com/objectsofaffection/catchmeifyoucanfreedownload

Objects of Affection: https://www.objectsofaffectioncollection.com

Contact: [email protected]

Swervin’ Through the Ocean is a dark, bass-led club cut from Objects of Affection — built from fast-twitch cadence, trunk-pressure low end, and the slowed-memory influence of Southern chopped-and-screwed culture translated into a harder, more kinetic house framework.

What drives the track is tension between motion and drag: sharp percussion, aggressive vocal repetition, and a sense of time stretching underneath the rhythm. It moves like a club record, but it carries the ghost of car-audio ritual, coded flex, and nocturnal drift.

Bass House / Southern Club / House crossover

128 BPM | G♯ Minor | Camelot 1A.

Built for dark rooms, crossover sets, car systems, and moments that need pressure without losing style.

Listen / download: https://hypeddit.com/objectsofaffection/swervinthroughtheocean

Objects of Affection: https://www.objectsofaffectioncollection.com

Contact: [email protected]

Edvard Grieg’s “In the Hall of the Mountain King” reimagined through an Afro House lens from Objects of Affection.

What began in 1875 as a descent into dread becomes here a ritual ascent — hypnotic percussion, organic movement, disciplined low end, and a classical motif transformed into focus, pressure, and release. Instead of panic, this version leans into procession. Instead of chaos, it builds composure.

Built around tension, repetition, and polyrhythmic lift, the track turns a familiar melody into a late-night architecture of rhythm: meditative, ceremonial, and driving without losing elegance.

Afro House / Organic House / Deep House

124 BPM | B Minor | Camelot 10A.

Built for late-night rooms, ritual movement, and sets that want a recognizable motif without sacrificing depth.

Listen / download:

https://hypeddit.com/objectsofaffection/edvardgrieginthehallofthemountainkingobjectsofaffe

Objects of Affection: https://www.objectsofaffectioncollection.com

Contact: [email protected]

Reworked and produced by Objects of Affection.

Original composition by Edvard Grieg.

Awaken is a euphoric Afro House / Deep House crossover built around light, release, and collective movement — opening from a meditative vocal invocation into a full-bodied, open-air dancefloor lift.

Driven by tribal percussion, deep-house atmosphere, and a rising vocal refrain centered on dawn, surrender, and rebirth, the track moves like a threshold: leaving the dark behind and stepping into something wider, warmer, and more alive. Where pressure once defined the room, Awaken chooses expansion instead.

Afro House / Deep House / Tribal House

120 BPM | B♭ Minor | Camelot 3A

Built for sunrise sets, emotional transitions, open-air floors, and moments where the night gives way to something bigger.

Download / updates:

https://hypeddit.com/objectsofaffection/awaken

Objects of Affection Collection:

https://www.objectsofaffectioncollection.com

Bookings / promos:

Can’t Do It Like Me is a cold, luxury-heavy club cut built around one message: imitation isn’t competition.

Driven by a deadpan spoken intro, a punchy, grimy vocal hook, heavy 808 weight, and a 125 BPM bass-house pulse, the track moves like a status statement on the floor — sharp, confrontational, and fully self-contained. Between fashion hierarchy, blocked access, and “league of my own” energy, this one is less about explanation and more about dominance.

Bass House / UK Bass / Grime-led Club

125 BPM | E♭ Minor | Camelot 2A

Built for peak-up moments, hard left turns, fashion-coded sets, and rooms that want attitude as much as impact.

Download / updates:

https://hypeddit.com/objectsofaffection/cantdoitlikemefreedownload

Objects of Affection Collection:

https://www.objectsofaffectioncollection.com

Bookings / promos:

Sky in Your Eyes is an emotional Afro House record built around reassurance, closeness, and late-night atmosphere — pairing tribal movement with deep-house warmth and a simple, intimate vocal refrain that stays with you.

Driven by a rolling 124 BPM pulse in E minor, the track moves through repetition and feeling rather than excess: “when the sun won’t rise / I see the sky in your eyes” as a promise, a comfort, and a quiet release on the floor.

Afro House / Deep House / Tribal House

124 BPM | E Minor | Camelot 9A

Built for sunset transitions, deep emotional lift, after-hours warmth, and sets that need tenderness without losing motion.

Download / updates:

https://hypeddit.com/objectsofaffection/skyinyoureyesfreedownload

Objects of Affection Collection:

https://www.objectsofaffectioncollection.com

Bookings / promos:

Goals reworked for peak-time pressure from Objects of Affection — flipping the original into a louder, bolder, more out-of-pocket club version built for impact, tension, and release.

Leaning into bass-house punch, electro-house energy, old-school house repetition, and pop-stadium attitude, this edit is less about restraint and more about reaction: sharper drums, bigger swing, bigger drop energy, and a floor-first approach designed to hit fast and hold attention.

Bass House / Electro House / House

128 BPM | G Minor | Camelot 6A

Built for main-room lift, festival turns, big transitions, and unapologetic moments.

Unofficial edit for DJ / promo use.

Download / updates:

https://hypeddit.com/objectsofaffection/lisaanittaremagoalsobjectsofaffectioneditfree

Objects of Affection Collection:

https://www.objectsofaffectioncollection.com

Bookings / promos:

Snap Crackle Pop is a hook-led club cut built for movement — pairing old-school house repetition, pop-forward vocal energy, and a bouncy late-night pulse into something simple, direct, and floor-ready.

Driven by a chant-like topline and a body-first rhythm, the track leans into flirtation, bounce, and release: “snap, crackle, pop / wine, rotate, drop” as pure dancefloor language. Less introspective than ritual, more immediate than conceptual — this one is built to land fast and stay in the room.

House / Old-school House / Dance Pop

126 BPM | B♭ Minor | Camelot 3A

Built for peak-up transitions, club rooms, playful sets, and moments that need lift without overcomplication.

Download / updates:

https://hypeddit.com/objectsofaffection/snapcracklepopfreedownload

Objects of Affection Collection:

https://www.objectsofaffectioncollection.com

Bookings / promos:

Alter is a dark ceremonial Afro House record built around transformation, repetition, and surrender — where desire, devotion, and rhythm begin to blur into the same language.

Driven by a male/female vocal exchange and written in dense mirrored phrases, the track moves like a rite in motion: intimate but confrontational, sensual but spiritual, lyrical but physical. What begins as seduction turns into invocation, with the hook collapsing altar into alter, rite into rewrite, and rhythm into something the body understands before the mouth can say it.

Afro House / Tribal House / Deep House

123 BPM | F♯ Minor | Camelot 11A

Built for after-hours sets, dark rooms, ritual tension, and floors that want both thought and pressure.

Download / updates:

https://hypeddit.com/objectsofaffection/altarfreedownload

Objects of Affection Collection:

https://www.objectsofaffectioncollection.com

Bookings / promos:

Obsidian Rite (Oom-Ma-Lay) sits at the meeting point of chant and machinery — a dark ceremonial electronic cut shaped by haunting vocal drones, low ritual incantation, metallic ticking percussion, industrial bass pressure, and deep organic drums.

Built around contrast, the track pulls ancient and synthetic forces into the same space: human breath against machine rhythm, tribal repetition against cybernetic tension, atmosphere against impact. The result is hypnotic, cinematic, and slightly ominous — less a conventional house record than a ritual groove for darker rooms, visual worlds, and after-hours states.

Organic House / Downtempo / Ritual Electronica

103 BPM | F Minor | Camelot 4A

Built for leftfield club transitions, filmic moments, dark openings, and sets that want pressure without losing mystery.

Download / updates:

https://hypeddit.com/objectsofaffection/obsidianriteoommalayfreedownload

Objects of Affection Collection:

https://www.objectsofaffectioncollection.com

Bookings / promos: