Andrew and Sean are developing a bold opinion that we are currently living in the greatest era of country music ever. This is no longer 2012 where bro-country and pure pop-country dominate the genre. Building on their discussion in episode 32, there might be more legit country music being produced and more accessible than ever. From easily discovering new underground artists on music streaming platforms or YouTube, to even Top 40 Country Radio is more honky tonk influenced than it's been in 20 years.

A month late with this podcast, but Andrew and Sean talk about Zach Bryan's dynamite September show in Ottawa, and more broadly about his awesome band, unique sound, and how ravenous his young fans are.

For 10-15 years people have been talking about how there's no good country music anymore: the radio is all pop, all the best music is from decades past, etc. To be fair, there was always good country music being made, but there was less and you had to look harder for it. But that doesn't hold water anymore. There is so much good REAL country music these days readily available on the radio, streaming, live shows, etc. So Andrew and Sean begin to lay out an argument for us currently living in the greatest era of country music. From OG's like Alan Jackson still kickin' it, to newcomers like Emily Nenni, to Garret Hedlund making a strong comeback into country music.

After quite a hiatus from the podcast, Andrew and Sean get back into it with a chat about their life-altering trips to see George Strait at the Houston Rodeo and then George & Willie Nelson live in Austin. Also, The Golden Roses live at The White Horse, Lone Star Lights, an afternoon visit to The Broken Spoke, and Cowboy hats at natural wine parties in Austin.

General grievances on Kacey Musgraves fully selling out, Ingrid Andress catfishing country fans, and Walker Hayes still existing with his stupid song and tiktok dance.

Live from Sean's Cabin deep in the heart of Quebec, Canada. It's the first podcast since covid hit. Andrew and Sean decided to come back with an Instagram live podcast from Sean's cabin and catch up and talk about some music they've been listening to over the last few months. They discuss new music from Sturgill Simpson, Tyler Childers, Hailey Whitters, Jake Owen, Sam Hunt's 'Hard to Forget", and Morgan Wallen's recent douchebaggery.

Better late than never! Sean and Andrew's 'Best and Worst of 2019' Lists. Some expected hits with some common cross-overs on both their individual lists, and some unexpected surprises!

Country Music is always evolving, and when it evolves well it incorporates modern influences but retains significant traditional components that make it country (pedal steel, fiddles, lyrical themes). In this episode the boys mostly debate Jenna Paulette. Is she the new Country-Country for the mainstream or just a different flavour of Pop-Country?

Also a discussion of the best non-alcoholic beers for Dry-January, and how Big Data and Algorythms affects the Equal Play campaign.

This week the boys partially renege their hard-line stance on unnecessarily re-doing classic holiday Christmas songs from last week. After hearing Stephanie Ryann and Layla Tucker slay a couple of the old standards, they draw some exceptions to the rule. They discuss Randall King's killer new Christmas song that is COUNTRY-Country AF. They circle back on a conversation about Jenny Leigh and woodworking. And they talk through their Jenna Paulette problem.

It turns out Andrew and Sean hate most of the over-done, reproduced Christmas standards: the White Christmas and Rudolph songs. But they love the original country Christmas songs and in this episode they rant (and rave!) about what's to love about these seasonal songs. This episode comes with a companion playlist on our Spotify page to bop along with over the holidays, check it out!