
Sign up to save your podcasts
Or


Henry Cowell was one of the most prolific of all 20th-century American composers. Some of his works are aggressively experimental in nature, while others tap into folk traditions and world music. The range and variety are quite remarkable. Cowell wrote so many works, in fact, that even the composer himself often had trouble keeping track of all he had written.
Take today’s genial little Woodwind Quintet, for example. It was written in the early 1930s for the great French flute virtuoso Georges Barrère, who commissioned and premiered many new works involving his instrument. In 1934, Barrère even made a recording of the suite for New Music Quarterly, a publishing venture bankrolled by none other than the retired insurance executive and part-time composer Charles Ives.
After that recording, Cowell went on producing new works, and the manuscript of his Woodwind Quintet remained with Barrère, who apparently just filed it away. The music didn’t surface again until 1947, when it was discovered among the late flutist’s collection of scores.
On today’s date in 1948, Cowell’s Woodwind Suite received its first concert performance at Columbia University in New York City and quickly established itself as one of Cowell’s most popular compositions.
Henry Cowell (1897-1965): Suite for Woodwind Quintet; Solaris Capstone 8677
By American Public Media4.7
176176 ratings
Henry Cowell was one of the most prolific of all 20th-century American composers. Some of his works are aggressively experimental in nature, while others tap into folk traditions and world music. The range and variety are quite remarkable. Cowell wrote so many works, in fact, that even the composer himself often had trouble keeping track of all he had written.
Take today’s genial little Woodwind Quintet, for example. It was written in the early 1930s for the great French flute virtuoso Georges Barrère, who commissioned and premiered many new works involving his instrument. In 1934, Barrère even made a recording of the suite for New Music Quarterly, a publishing venture bankrolled by none other than the retired insurance executive and part-time composer Charles Ives.
After that recording, Cowell went on producing new works, and the manuscript of his Woodwind Quintet remained with Barrère, who apparently just filed it away. The music didn’t surface again until 1947, when it was discovered among the late flutist’s collection of scores.
On today’s date in 1948, Cowell’s Woodwind Suite received its first concert performance at Columbia University in New York City and quickly established itself as one of Cowell’s most popular compositions.
Henry Cowell (1897-1965): Suite for Woodwind Quintet; Solaris Capstone 8677

6,779 Listeners

38,798 Listeners

8,767 Listeners

9,221 Listeners

5,788 Listeners

928 Listeners

1,384 Listeners

1,272 Listeners

3,150 Listeners

1,973 Listeners

521 Listeners

182 Listeners

13,716 Listeners

3,068 Listeners

247 Listeners

28,198 Listeners

436 Listeners

5,489 Listeners

2,182 Listeners

14,122 Listeners

6,383 Listeners

2,513 Listeners

4,859 Listeners

572 Listeners

205 Listeners