It's our first Sly film, so we sit down with Liam Billingham (Die Hard on a Blank) to discuss future politics, the film's political litmus test, its satire of a conservative's fever dream of liberal tyranny, masculinity, and more!

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We talk with Jay Elliott (Philosophy, Bard College) about RISKY BUSINESS! White boys off the lake, Tom Cruise, sexual anxiety, capitalism, authenticity, Hitchcock, and more!

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We sit down with Dan Wack (Philosophy, Knox College) to discuss Elaine May's Mikey and Nicky! We talk gangsters, friendship, honesty, barriers, hangout films, misogyny, character studies, and much more!

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Jon Gabrus joins us to award our favorite movies of 2024! Who will take home the coveted Blobscar? Tune in to find out!

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We welcome back Bilge Ebiri (Vulture / New York Magazine) to discuss RaMell Ross's 2024 film, Nickel Boys! We talk about the film's formal stylistic innovations, its focus on interstitial moments, its exploration of different responses to injustice, how it invites us to integrate our own memories and experiences with its narrative, and more!

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We sit down with Phil Iscove (of Podcast Like It's...) to discuss Robert Eggers' Nosferatu! We discuss how the film is Ellen's story, compare it with the many other versions, sexual liberation and sexual angst, scientific progress and the patriarchy, the beauty in decay, and the film's dark sense of humor.

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Gilmore as populist disruptor, Grandma's tax situation, hockey vs. golf, anger, Chubbs, Lynyrd Skynyrd, and of course Shooter McGavin!

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Merry Christmas to all, including THE GRINCH! We sit down with Emily St. James to discuss all three Grinch movies (How the Grinch Stole Christmas '66 + '00, and The Grinch '18). We inquire about what the Grinch story is all about, whether we really needed a Grinch backstory, what part of speech "Grinch" is, which of the movies is da best, and more!

Pre-order Emily's book!

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Join us and Dan Harris (Philosophy, CUNY) to discuss HOME ALONE! We consider the film's permission structure for excusing parental negligence, humoring breaking and entering, the film's ideological implications about the nuclear family, and what Kevin really thinks he did to his parents. Christmastime begins with the COWS now!

We sit down with film historian Joseph McBride to discuss George Cukor's 1944 film, Gaslight. We discuss Cukor's reputation among the great studio directors, his skill working with actors, the social and political dimensions of the film, including what makes diagnosing and resisting gaslighting so challenging.

After you listen, you should read Joseph's book on Cukor!

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