In 1977, Steve Martin played Nassau Coliseum to 45,000 people - the biggest concert comedy event in the history of show business. He reached this peak despite having, in his own words, "no natural talent". And then he just walked away. He didn't perform stand-up again for decades. Why would anyone at the pinnacle start over from zero in film, writing, and music? The answer was hiding in the very next line of a poem he spent a decade trying to understand.
This is a Craftsmith Letter, an audio letter to a living craftsperson.
In this letter:
- The line from E.E. Cummings that Steve puzzled over for ten years - and the next line he never mentions
- Why watching Wally Boag hundreds of times at Disneyland was Steve's first masterclass
- The moment a magician's failed trick taught Steve that laughter could come from absence
- What Steve's father said on his deathbed, and the more complicated truth Steve kept to himself
- The Bird Cage Theater: 4,000 performances that became a laboratory for breaking comedy's rules
- "What if there were no punch lines?" - the question that changed everything
- The Vanderbilt swimming pool moment: when the audience wouldn't leave and Steve became the act
- Why the banjo is the control group that proves the thesis
Chapters:
- (00:00) - Introduction to Craftsmith
Books mentioned:
- Born Standing Up by Steve Martin
- Six Nonlectures by E.E. Cummings
Help deliver this letter:
If you think Steve should hear this, send him this episode:
- stevemartin.com
- @stevemartinreally on Instagram
- @SteveMartinofficial on Facebook
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Craftsmith is a podcast by Bill Allred about people who discover and develop work they love, so you can too.
