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Four months, an ice storm, a hurricane, and one very unexpected acceptance letter later — Mara returns to take stock of where this journey into the world of Genesis has brought her. From the burning curiosity that started it all, to the uncomfortable middle place she finds herself in now, this episode traces the rabbit holes of Seasons 1 and 2 and issues an invitation: to become like children again as Season 3 opens the second page of the Bible — the story of Adam and Eve.
Over the summer, Mia asked me a question that I couldn't stop thinking about: "Mama, why do you love the Bible so much?" In this season finale, I finally answer this question and two more from Mia: What is the Bible is about? Who wrote it? If you have children, I invite you to listen together.
One morning, a mother opens her door to find a stranger, and their conversation unfolds amid the playful chaos of her spirited children. As their stories intertwine, an imaginary friend and an ancient song leads them towards a tender connection. This episode is a little different — a story woven from threads across the season so far.
Get in touch at [email protected] or @marameasor on Instagram.
The phrase "the Word of God" had a long history before it ever meant "the Bible." This episode traces its evolution — from God's voice speaking creation into being, to prophets hearing from their maker, to God's Word becoming human, to early Christians referring to a collection of ancient writings by the same name. This is the story of how this pretzel of a phrase became attached to a book.
Get in touch at [email protected] or @marameasor on Instagram.
The Bible doesn't hide its human authorship — that was last episode. But what does the broader historical record reveal? This episode traces the scholarly perspective on Scripture's formation: from oral tradition to written scrolls, from Babylonian exile to Roman invasion, from individual writings to bound codices. A thousand years of human endeavor, as though guided by something beyond them all.
Get in touch at [email protected] or @marameasor on Instagram.
Three people's reactions to learning about biblical history sparked a question: What were they told about the Bible that made its actual story feel like finding skeletons in a closet? This episode explores the difference between how we often talk about the Bible and what the Bible reveals about itself - from its own editorial comments to its comfortable embrace of multiple voices, perspectives, and even different collections.
Get in touch at [email protected] or @marameasor on Instagram.
After struggling through a dozen drafts of her previous episode on physics and time, Mara finds herself staring at all the ideas that didn't make it into the final cut. Rather than sweep them away, she invites listeners into her messy creative process—exploring the mysterious grammar of the Bible's opening word, the confetti of human perspective, the beautiful chaos of entropy, and her gentle disagreement with a physicist about humanity's place in the cosmos. Sometimes the splattered paint around the canvas tells its own story.
REFERENCES:
• Carlo Rovelli's "Seven Brief Lessons on Physics"
• Carlo Rovelli's "The Order of Time"
• Rashi (Shlomo Yitzchaki), commentary on Genesis 1:1
• The construct-state reading of bereshit, also carried by Ibn Ezra, and the basis for the NJPS and Alter renderings
In this episode, Mara takes a detour into the dimension of time. Her exploration of physicist Carlo Rovelli's ideas around time becomes an unexpected echo of her own journey from seeing Scripture as a collection of fixed truths to experiencing it as a living network of stories that continue to weave together across... time.
REFERENCES:
• John Walton's "The Lost World of Genesis One"
• Carlo Rovelli's "The Order of Time"
• Carlo Rovelli's "Seven Brief Lessons on Physics"
• Isaac Newton's "Principia," Scholium (Motte/Cajori translation)
A moment of feeling lost leads Mara to recognize two voices within herself—one always sprinting toward the next finish line, the other content to sit quietly on a porch and watch. Holding this tension, she revisits biblical narratives not as straight lines but as cycles, returning once again to Genesis One—not as a story of perfection achieved, but as an invitation to find beauty in the ongoing rhythm between movement and rest, even while chaos remains all around.
Get in touch with Mara at [email protected]
In this brief bonus episode, Mara shares a poem she was commissioned to write for a gallery exhibition. With this piece, she continues her journey of finding new ways to dwell within the ancient creation story.
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