Credits Score: The Podcast That Gives Credits The Credit They're Due

Gary and Max are talking giant hairy knuckles and oversized asses as they make their way through the Tom Cruise-pelvic thrusting-fueled dance number that is the end credits to 2008's "Tropic Thunder."

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Links, as promised in the episode: 

Tropic Thunder End Credits 

Chipmunk version of "Get Back" by Ludacris 

Live acoustic cover of "Get Back" by Not Enough Flannel

Wonderwall/Get Back acoustic mashup by Christopher Giroud

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This week, Gary Dudak and Max Miller travel way back in time to talk anthropomorphic dinosaurs, but more specifically, anthropomorphic dinosaur babies who hit their anthropomorphic dinosaur fathers over the head with a variety of objects repeatedly.  

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Links, as promised in the episode: 

Dinosaurs Opening Credits (later seasons) 

Earl teaching Baby to say "Daddy"

"I'm The Baby, Gotta Love Me" Music Video 

Acapella cover of the Dinosaurs theme (with the other version of the opening credits) by Triforcefilms

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Break out the Herbal Essences and touch up your French manicure so you'll be ready to join Gary Dudak and Max Miller as they welcome Hollis Jane Andrews (Mike Tyson Mysteries, Nobodies) to help guide them through the very bubbly opening credits to "Legally Blonde."

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Links, as promised in the episode: 

Legally Blonde Opening Credits  

Male version of "Perfect Day" by Hoku  

Ukulele cover of "Perfect Day" by lagaringer 

Acapella cover of "Perfect Day" by Singchronize

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In this week's episode, Gary Dudak and Max Miller are hitching a ride with Kevin James as he makes the long drive home through the streets of New York City in the opening credits of "The King of Queens."

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Links, as promised in the episode: 

The King of Queens Opening Credits  

Patton Oswalt standing completely still through an entire scene of "The King of Queens"

Bedroom piano cover of "Baby All My Life I Will Be Driving Home To You," the theme from "The King of Queens" by astaflora

Faux metal cover of "Baby All My Life I Will Be Driving Home To You" by PelleK

Acoustic bedroom blues cover of "Baby All My Life I Will Be Driving Home To You" by iklmn oprst

Bluegrass style cover of "Baby All My Life I Will Be Driving Home To You" by Crispy Jones

The King of Queens Theme Song from Your Captor's Basement by patch

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Listen up, kids. Gary Dudak and Max Miller are finally going to learn about the birds and the bees as they take a microscopic look at the opening credits to the hit 1989 "family" comedy, "Look Who's Talking."

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Links, as promised in the episode: 

Look Who's Talking Opening Credits

"I Get Around" cover performed live by The Red Hot Chili Peppers 

Barbershop quartet cover of "I Get Around" by Forefront

Laid back cover of "I Get Around" by Capybara

Beatbox loop pedal cover of "I Get Around" by THePETEBOX

Hilarious "shredded" version of "I Get Around" by The Beach Boys

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If you're looking to get high, you've come to the right place. High on quality podcasting as Gary Dudak and Max Miller travel to upper middle-class suburbia to take on the opening credits to the hit Showtime show: Weeds.

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Links, as promised in the episode: 

Weeds Season One Original Opening Credits

Weeds Opening Credits as Performed By:

• Elvis Costello

Ukulele bedroom cover of "Little Boxes" by Natalie Bates

Indie cover of "Little Boxes" by Noisy Pride

Kazoo cover of "Little Boxes" by Unexpected Visitors 

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Things get darker than ever as Gary Dudak and Max Miller welcome Sleepy Hollow co-creator Phillip Iscove to hold their delicate little hands and cover their eyes (when necessary) as they take a look at the opening credits to "The Girl With the Dragon Tattoo."

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Links, as promised in the episode: 

The Girl with the Dragon Tattoo Opening Credits  

Sad cover of Led Zeppelin's "Immigrant Song" by Nothing But Thieves 

Brass band cover of "Immigrant Song" by Dingonek Street Band

Orchestral strings cover of "Immigrant Song" by DaGamba 

Screaming goat remix of "Immigrant Song"

Rubber chicken cover of "Immigrant Song" by Chickensan

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We hate to be those guys, but if you enjoyed the episode, please subscribe and leave a review wherever you can. And more importantly, spread the word. The more action the show gets the better. We want to continue to make these, and building an audience is the best way to make sure we'll be able to. 

This week, we're going back to the '90s with a movie that goes back to the '80s as we take a look at the opening credits to "The Wedding Singer." And remember, we have microphones and you don't, SO YOU WILL LISTEN TO EVERY DAMN WORD WE HAVE TO SAY!

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Links, as promised in the episode: 

The Wedding Singer Opening Credits  

You Spin Me Round (Like a Record) cover by Eiffel 65

Accordion cover of You Spin Me Round (Like a Record) by Jackson Parodi

Electric orchestral cover of You Spin Me Round (Like a Record) by Eklipse

Wedding party band cover of You Spin Me Round (Like a Record) by The Apple Tree Theory

Weird pole dance aerial artist cover of You Spin Me Round (Like a Record) by Strathmore

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We hate to be those guys, but if you enjoyed the episode, please subscribe and leave a review wherever you can. And more importantly, spread the word. The more action the show gets the better. We want to continue to make these, and building an audience is the best way to make sure we'll be able to. 

Attention all fans of Nicole Kidman's wigs and Shailene Woodley's chunky bangs, this is the episode for you. Join Gary Dudak and Max Miller as they clumsily attempt to navigate the real estate porn that is the opening credits to "Big Little Lies." 

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Links, as promised in the episode: 

Big Little Lies Season 2 Opening Credits 

Big Little Lies Season 1 Opening Credits 

Ukulele cover of Michael Kiwanuka's "Cold Little Heart" by Ben Pierson

Electric harp cover of Michael Kiwanuka's "Cold Little Heart" by moe

Acoustic guitar cover of Michael Kiwanuka's "Cold Little Heart" by crooked lips

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We hate to be those guys, but if you enjoyed the episode, please subscribe and leave a review wherever you can. And more importantly, spread the word. The more action the show gets the better. We want to continue to make these, and building an audience is the best way to make sure we'll be able to. 

This week, Gary Dudak and Max Miller are talking hideously-colored rayon suits and blurry nights in Hollywood as they make their way through the opening credits to the SNL sketch turned full length feature, "A Night at the Roxbury." 

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Links, as promised in the episode: 

A Night at the Roxbury Opening Credits 

Sad, slow cover of Haddaway's "What is Love" by Tears & Marble 

Ska cover of What is Love by Skameleon

Beatbox sax cover of What is Love by Derek Brown

Symphonic metal cover of What is Love that sounds like Evanescence by Rainheart Symphony 

Funny acoustic guitar cover of What is Love by Ewan Dobson (where he superimposed his head on his own body doing the head bobs)

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We hate to be those guys, but if you enjoyed the episode, please subscribe and leave a review wherever you can. And more importantly, spread the word. The more action the show gets the better. We want to continue to make these, and building an audience is the best way to make sure we'll be able to.