Criterion Cast: Master Audio Feed

This podcast focuses on the Eclipse Series, box set editions of lost, forgotten, or overshadowed films recently revived by the Criterion Collection. Hosts David Blakeslee and Trevor Berrett give an overview of each set and offer their perspectives on the unique treasures they find inside. In this episode, David and Trevor discuss three films included in the recent Blu-ray reissue of Eclipse Series 6: Carlos Saura’s Flamenco Trilogy. This is their second conversation about the set, following up on their previous coverage of the films in 2016 when they were available in DVD format, though the box was out of print at that time.

One of Spanish cinema’s great auteurs, Carlos Saura brought international audiences closer to the art of his country’s dance than any other filmmaker, before or since. In his Flamenco Trilogy—Blood Wedding, Carmen, and El amor brujo—Saura merged his passion for music with his exploration of national identity. All starring and choreographed by legendary dancer Antonio Gades, the films feature thrilling physicality and electrifying cinematography and editing—colorful paeans to bodies in motion as well as to cinema itself.

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This podcast focuses on the Eclipse Series, box set editions of lost, forgotten, or overshadowed films recently revived by the Criterion Collection. Hosts David Blakeslee and Trevor Berrett give an overview of each set and offer their perspectives on the unique treasures they find inside. In this first of three episodes covering the recently issued Blu-ray edition of Eclipse Series 48: Kinuyo Tanaka Directs, David and Trevor discuss two films: Girls of the Night (1961) and Love Under the Crucifix (1962), her final directorial effort.

Kinuyo Tanaka was already one of Japan’s greatest actors—celebrated for her collaborations with auteurs such as Kenji Mizoguchi, Yasujiro Ozu, and Mikio Naruse—when she took a brave leap by embarking on a directing career in a studio system that actively discouraged female filmmakers. The six features she made over the course of a decade center on women characters who refuse to conform to restrictive roles as they seek independence. With compassion and insight, Tanaka critiques the social conditions and forces that shape her heroines’ struggles: sex work and social shaming, the expectation of passively entering arranged marriages, taboos surrounding illness and the female body, imperialism, and religious persecution and forbidden love.

Subscribe to the podcast via RSS or in iTunes.

This podcast focuses on the Eclipse Series, box set editions of lost, forgotten, or overshadowed films recently revived by the Criterion Collection. Hosts David Blakeslee and Trevor Berrett give an overview of each set and offer their perspectives on the unique treasures they find inside. In this first of three episodes covering the recently issued Blu-ray edition of Eclipse Series 48: Kinuyo Tanaka Directs, David and Trevor discuss two films: Forever a Woman (1955) and The Wandering Princess (1960).

Kinuyo Tanaka was already one of Japan’s greatest actors—celebrated for her collaborations with auteurs such as Kenji Mizoguchi, Yasujiro Ozu, and Mikio Naruse—when she took a brave leap by embarking on a directing career in a studio system that actively discouraged female filmmakers. The six features she made over the course of a decade center on women characters who refuse to conform to restrictive roles as they seek independence. With compassion and insight, Tanaka critiques the social conditions and forces that shape her heroines’ struggles: sex work and social shaming, the expectation of passively entering arranged marriages, taboos surrounding illness and the female body, imperialism, and religious persecution and forbidden love.

Subscribe to the podcast via RSS or in iTunes.

This podcast focuses on the Eclipse Series, box set editions of lost, forgotten, or overshadowed films recently revived by the Criterion Collection. Hosts David Blakeslee and Trevor Berrett give an overview of each set and offer their perspectives on the unique treasures they find inside. In this first of three episodes covering the recently issued Blu-ray edition of Eclipse Series 48: Kinuyo Tanaka Directs, David and Trevor discuss two films: her directorial debut Love Letter (1953) and The Moon Has Risen (1955), based on a screenplay written by Yasujiro Ozu.

Kinuyo Tanaka was already one of Japan’s greatest actors—celebrated for her collaborations with auteurs such as Kenji Mizoguchi, Yasujiro Ozu, and Mikio Naruse—when she took a brave leap by embarking on a directing career in a studio system that actively discouraged female filmmakers. The six features she made over the course of a decade center on women characters who refuse to conform to restrictive roles as they seek independence. With compassion and insight, Tanaka critiques the social conditions and forces that shape her heroines’ struggles: sex work and social shaming, the expectation of passively entering arranged marriages, taboos surrounding illness and the female body, imperialism, and religious persecution and forbidden love.

Subscribe to the podcast via RSS or in iTunes.

In this episode of Criterion Cast, David Blakeslee interviews Thomas Golianopoulos about his new book The Life of Singleton: From Boyz n the Hood to Snowfall. The book provides an in-depth biography of director/writer/producer John Singleton, subject of John Singleton’s Hood Trilogy, a three-film box set recently issued by the Criterion Collection.

The Life of Singleton is the definitive account of film icon John Singleton’s life and times.

John Singleton became a living legend at just 24 years old when he earned Academy Award nominations for Best Director and Best Original Screenplay for Boyz N the Hood, the sleeper hit of the summer of 1991 and one of the decade’s most important films. Though he wasn’t victorious on Oscar night, it didn’t detract from his achievements. Singleton was the first Black person nominated for Best Director and remains the youngest person nominated for the award. But he wasn’t finished. Over the next three decades, he’d amass a Hall of Fame career featuring more classic films (Rosewood, Baby Boy), four number one hits (Poetic Justice, Shaft, 2 Fast 2 Furious, and Four Brothers) and one of the top-rated series on cable television (Snowfall, which ran for six seasons).

In The Life of Singleton: From Boyz N the Hood to Snowfall, Thomas Golianopoulos reports on the life and death of John Daniel Singleton, from his time as a driven film student at USC to his last days on the Costa Rica set of Snowfall. Singleton was an American original, a Hollywood maverick, and a South Central icon — no one repped LA harder than him. He created indelible moments on the screen and inspired and mentored a generation of filmmakers.

Featuring nearly 400 original interviews and sharp analysis, The Life of Singleton takes readers behind the scenes of the filmmaker’s work and unwraps the complex man behind it.

The Criterion Collection

This podcast focuses on the Eclipse Series, box set editions of lost, forgotten, or overshadowed films recently revived by the Criterion Collection. Hosts David Blakeslee and Trevor Berrett give an overview of each set and offer their perspectives on the unique treasures they find inside. In this second of two episodes covering the recently reissued Blu-ray edition of Eclipse Series 8: Lubitsch Musicals, David and Trevor are joined by guest William Remmers to discuss two films: The Smiling Lieutenant, starring Maurice Chevalier, Claudette Colbert, and Miriam Hopkins, and One Hour with You, featuring Maurice Chevalier and Jeanette MacDonald.

Renowned as a silent-film pioneer and the man who refined Hollywood comedy with such masterpieces as Trouble in Paradise, The Shop Around the Corner, and To Be or Not to Be, Ernst Lubitsch also had another claim to fame: he helped invent the modern movie musical. With the advent of sound, and with audiences clamoring for “talkies,” Lubitsch combined his love of European operettas and his mastery of cinema to develop this entirely new genre. These elegant, bawdy films, made before strict enforcement of the moralizing Production Code, feature some of the greatest stars of early Hollywood (Maurice Chevalier, Jeanette MacDonald, Claudette Colbert, Miriam Hopkins), as well as that elusive style of comedy that would thereafter be known as “the Lubitsch touch.”

Subscribe to the podcast via RSS or in iTunes.

This podcast focuses on the Eclipse Series, box set editions of lost, forgotten, or overshadowed films recently revived by the Criterion Collection. Hosts David Blakeslee and Trevor Berrett give an overview of each set and offer their perspectives on the unique treasures they find inside. In this first of two episodes covering the recently reissued Blu-ray edition of Eclipse Series 8: Lubitsch Musicals, David and Trevor are joined by guest William Remmers to discuss two films: The Love Parade, starring Maurice Chevalier and Jeanette MacDonald, and Monte Carlo, also featuring Jeanette MacDonald, with Jack Buchanan.

About the films:

Renowned as a silent-film pioneer and the man who refined Hollywood comedy with such masterpieces as Trouble in Paradise, The Shop Around the Corner, and To Be or Not to Be, Ernst Lubitsch also had another claim to fame: he helped invent the modern movie musical. With the advent of sound, and with audiences clamoring for “talkies,” Lubitsch combined his love of European operettas and his mastery of cinema to develop this entirely new genre. These elegant, bawdy films, made before strict enforcement of the moralizing Production Code, feature some of the greatest stars of early Hollywood (Maurice Chevalier, Jeanette MacDonald, Claudette Colbert, Miriam Hopkins), as well as that elusive style of comedy that would thereafter be known as “the Lubitsch touch.”

Subscribe to the podcast via RSS or in iTunes.

This podcast focuses on the Eclipse Series, box set editions of lost, forgotten, or overshadowed films recently revived by the Criterion Collection. Hosts David Blakeslee and Trevor Berrett give an overview of each set and offer their perspectives on the unique treasures they find inside. In this last of four episodes, David and Trevor discuss six “School Films” (Two Solutions for One Problem, So Can I, Tribute to Teachers, Toothache, Orderly or Disorderly, and Homework) from Eclipse Series 47: Abbas Kiarostami – Early Shorts and Features. Eleven other films included in this set are covered in earlier episodes.

About the films:

Long before he became one of the most renowned artists in world cinema, the great Iranian filmmaker Abbas Kiarostami began his cinematic career at Tehran’s Institute for the Intellectual Development of Children and Young Adults (a.k.a. Kanoon), where he honed his distinctive style and themes. During his first decades as a filmmaker, Kiarostami moved freely among documentary, narrative, and even animation, and between joyous short films made for children and subtle works exploring the struggles of adolescents. Often using the classroom as a laboratory, he probed social and political tensions in Iranian society during the turbulent years before and after the 1979 revolution. Spanning his very first short, Bread and Alley (which the director called the “mother of all my films”); other underseen early revelations, like Experience and The Traveler; and nonfiction masterpieces such as Homework, the graceful, warm, and playful works collected here find moments of transcendent poetry within everyday life, and use deceptively simple premises to express universal truths about the human condition.

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In this special episode of Criterion Cast, David Blakeslee interviews Aaron West, a longtime contributor to this site, about his new book The A24 New Wave, which will publish in May 2026. Their conversation gives a brief overview of A24’s history since the company began distributing films in 2012 (with their big breakthrough Spring Breakers) and went on from there to accelerate the careers of many of today’s most influential and respected directors, actors, and other talents. A24 has released many of the most impactful movies of the past decade-plus and this book offers insights and behind-the-scenes details on how those projects came together. Aaron also describes his creative process and shares some early insights on his plans for upcoming volumes exploring other chapters of cinema history.

The A24 New Wave is the story of the foundation of the indie film powerhouse that championed new voices and transformed cinema. This comprehensive book explores the A24 way, their business practices, and the great cinema that changed the way movies are marketed and seen. Includes in-depth stories about filmmakers Barry Jenkins, Robert Eggers, Greta Gerwig, Sean Baker, Ari Aster, and so many more.

For more information on how to order the book, visit CineJourneys!

This podcast focuses on the Eclipse Series, box set editions of lost, forgotten, or overshadowed films recently revived by the Criterion Collection. Hosts David Blakeslee and Trevor Berrett give an overview of each set and offer their perspectives on the unique treasures they find inside. In this episode, David and Trevor discuss five films (Solution No. 1, First Case/Second Case, The Chorus, Fellow Citizen, and First Graders) from Eclipse Series 47: Abbas Kiarostami – Early Shorts and Features. Thirteen other films included in this set are covered in other episodes.

About the films:

Long before he became one of the most renowned artists in world cinema, the great Iranian filmmaker Abbas Kiarostami began his cinematic career at Tehran’s Institute for the Intellectual Development of Children and Young Adults (a.k.a. Kanoon), where he honed his distinctive style and themes. During his first decades as a filmmaker, Kiarostami moved freely among documentary, narrative, and even animation, and between joyous short films made for children and subtle works exploring the struggles of adolescents. Often using the classroom as a laboratory, he probed social and political tensions in Iranian society during the turbulent years before and after the 1979 revolution. Spanning his very first short, Bread and Alley (which the director called the “mother of all my films”); other underseen early revelations, like Experience and The Traveler; and nonfiction masterpieces such as Homework, the graceful, warm, and playful works collected here find moments of transcendent poetry within everyday life, and use deceptively simple premises to express universal truths about the human condition.

Subscribe to the podcast via RSS or in iTunes.