Criterion Cast: Master Audio Feed

Criterion Reflections is David Blakeslee’s ongoing project to watch all of the films included in the Criterion Collection in chronological order of their original release. Each episode of this fourth season of the podcast features conversations with a variety of guests offering insights on movies that originally premiered in 1972 and were destined to eventually bear the Criterion imprint. In this episode, David is joined by Robert Taylor and Richard Doyle to discuss Zatoichi in Desperation, directed by Shintaro Katsu.

Criterion Reflections is David Blakeslee’s ongoing project to watch all of the films included in the Criterion Collection in chronological order of their original release. Each episode of this fourth season of the podcast features conversations with a variety of guests offering insights on movies that originally premiered in 1972 and were destined to eventually bear the Criterion imprint. In this episode, David is joined by Jason Beamish and Richard Doyle to discuss The Last House on the Left, directed by Wes Craven. The film previously streamed on the Criterion Channel but was not available on that service at the time of this recording.

Now that we’re back, we had some catching up to do. This week Drew Morton joined to go back through all of the months that we missed during hiatus. We were surprised how many months that was. We did sort of a speed record for the 2022 releases, getting into a little more detail on a few. We then looked at the recent January 2023 announcements in a little more detail. We had some interesting discussions about Sarah Polley, Atom Egoyan, and also the tendency for directors to change films for the home media release. Apologies for Aaron’s audio. Accidentally used the internal Mac mic but we think you’ll get used to it.

Canopy Film Club – Chapter 1 – Cinematography

Criterion Reflections is David Blakeslee’s ongoing project to watch all of the films included in the Criterion Collection in chronological order of their original release. Each episode of this fourth season of the podcast features conversations with a variety of guests offering insights on movies that originally premiered in 1972 and were destined to eventually bear the Criterion imprint. In this episode, David is joined by Aaron West to discuss Blacula, directed by William Crain and currently streaming on the Criterion Channel.

This special episode of Criterion Cast features an interview with Matthew Gentile, director and writer of AMERICAN MURDERER:

Based on a true story, this riveting thriller follows Jason Derek Brown (Tom Pelphrey), a charismatic con man bankrolling his extravagant lifestyle through a series of scams. On Brown’s trail: Lance Leising (Ryan Phillippe), a dogged FBI special agent determined to put Brown behind bars. When Brown’s funds run low and his past catches up with him, he plots his most elaborate scheme yet, pitting himself against Leising in a deadly game of cat and mouse — and becoming the most unlikely and elusive fugitive on the FBI’s most-wanted list.

Why do we fall for con artists? Is it that they’re smart and the victims are gullible, or is it something deeper? This is the question at the heart of AMERICAN MURDERER.

As a kid, I was obsessed with crime — so much so that I would browse the Top Ten Most Wanted list, hoping to help the FBI catch a fugitive. One of them made a distinct impression on me: Jason Derek Brown, a surfer dude with spiky blonde hair and a smirk on his face. Compared to Osama Bin Laden and Whitey Bulger, he just didn’t fit the profile.

On the surface, AMERICAN MURDERER is a cat-and-mouse thriller about a fugitive and the FBI agent who has been tasked with bringing him to justice. But what fascinates me about Jason’s story isn’t the crime itself; it’s how he impacted the people who loved him. That’s why I chose to tell his story through multiple perspectives. Whether the audience likes Jason or not – by the end of the film, they will get a 360-degree view of who he was.

With AMERICAN MURDERER, my intention is to guide the audience to look directly into the eyes of a dark soul and shine a light on how he became this way. Thus the film poses another question: can we take a human being who is rotten to the core and move an audience to a place of compassion? I believe that we can.

Intro/Outro Music: “Visiting My Toys”, composed by Scott Gentile – from the American Murderer Original Soundtrack

Criterion Reflections is David Blakeslee’s ongoing project to watch all of the films included in the Criterion Collection in chronological order of their original release. Each episode of this fourth season of the podcast features conversations with a variety of guests offering insights on movies that originally premiered in 1972 and were destined to eventually bear the Criterion imprint. In this episode, David is joined by Richard Doyle and David Seeley to discuss Ciao! Manhattan, Greaser’s Palace and Bone, three films released in July 1972, all currently streaming on the Criterion Channel.

Filmmaker Sean Baker returns to the podcast, and his co-director for Take Out and frequent collaborator Shih-Ching Tsou joins for the first time. We talk about their origins of working together, the style they established with Take Out and how that impacted future films, the feeling of being in the Criterion Collection, the restoration process of the film in preparation for release, the supplements on the disc, and more. We also have occasional digressions where we talk about filmmakers we love such as Lee Chang-dong, David Lynch, and others.

Criterion Collection – Take Out

We took an unannounced hiatus for a lot of reasons. Jill and Aaron are now officially back and ready to resume the show. This one was just us “shooting the s**t” without an intro or anything. We just wanted to get back into the swing of podcasting, plus sharing what we’ve been up to, and what we’re looking forward to. As it happens we have two other episodes that are in the pipeline so expect more soon.

Trevor Berrett and David Blakeslee are pleased to present Inside the Box, a podcast series that explores the riches in the various box sets released by The Criterion Collection. In this episode, they discuss A Whit Stillman Trilogy. This untraditional box set contains the films Metropolitan (1990), Barcelona (1994), and The Last Days of Disco (1998).

Over the course of the 1990s, writer-director Whit Stillman made a trilogy of films about the acid tongues and broken hearts of some haplessly erudite young Americans in New York and abroad. Set in the eighties, these films trace the arc of that decade, led by Stillman’s Oscar-nominated debut, Metropolitan,which introduced moviegoers to a strange, endangered species of privileged New Yorker, the “urban haute bourgeoisie.” Chronologically, the tale continues with The Last Days of Disco, in which, with an earnest wink, Stillman mourns the close of New York’s nightclub era via the story of two young party-going women juggling day jobs in book publishing. Finally, Barcelona plunks down a pair of love-starved upper-class men in a foreign city rife with anti-American sentiment. At once effervescent and melancholy, these are comedies about the ends of cultural moments, social change as seen through the eyes of reluctant, unflaggingly sardonic romantics.

Criterion Reflections is David Blakeslee’s ongoing project to watch all of the films included in the Criterion Collection in chronological order of their original release. Each episode of this third season of the podcast features conversations with a variety of guests offering insights on movies that originally premiered in 1971 and were destined to eventually bear the Criterion imprint. In this episode, David is joined by Dan Humphrey and Brad McDermott to discuss The Canterbury Tales, directed by Pier Paolo Pasolini.