This podcast focuses on Criterion’s Eclipse Series of DVDs. Hosts David Blakeslee and Trevor Berrett give an overview of each box and offer their perspectives on the unique treasures they find inside. In this episode, David and Trevor discuss Eclipse Series 18: Dušan Makavejev Free Radical.

About the films:

There’s never been another filmmaker quite like Dušan Makavejev. Even in the 1960s, when all of cinema’s rules seemed to be breaking down and artists such as Godard, Cassavetes, and Marker were dissolving the boundary between fiction and documentary, Yugoslavia’s Makavejev stood alone. His films about political and sexual liberation were revolutionary, raucous, and ribald. Across these, his wild, collagelike first three films, Makavejev investigates—with a tonic mix of earnestness and whimsy—love, death, and work; the legacy of war and the absurdity of daily life in a Communist state; criminology and hypnosis; strudels and strongmen.

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Next time on the podcast: Eclipse Series ??: 

This podcast focuses on Criterion’s Eclipse Series of DVDs. Hosts David Blakeslee and Trevor Berrett give an overview of each box and offer their perspectives on the unique treasures they find inside. In this episode, David and Trevor discuss Eclipse Series 40: Late Ray.

About the films:

The films directed by the great Satyajit Ray in the last ten years of his life have a unique dignity and drama. Three of them are collected here: the fervent Rabindranath Tagore adaptation The Home and the World; the vital An Enemy of the People, based on the Henrik Ibsen play; and the filmmaker’s final work, the poignant and philosophical family story The Stranger. They are complex, political, and humane depictions of worlds both corrupt and indescribably beautiful, constructed with Ray’s characteristic elegance and imbued with autumnal profundity. These late-career features are the meditative works of a master.

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Satyajit Ray’s 1992 acceptance speech for an honorary career-achievement Oscar, presented by Audrey Hepburn:

Next time on the podcast: Eclipse Series 18: Dušan Makavejev—Free Radical 

This podcast focuses on Criterion’s Eclipse Series of DVDs. Hosts David Blakeslee and Trevor Berrett give an overview of each box and offer their perspectives on the unique treasures they find inside. In this episode, David and Trevor discuss Eclipse Series 29: Aki Kaurismäki’s Leningrad Cowboys.

About the films:

In the late eighties, Aki Kaurismäki, a master of the deadpan, fashioned a waggish fish-out-of-water tale about a U.S. tour by “the worst rock-and-roll band in the world.” Leningrad Cowboys Go America’s posse of fur-coated, outrageously pompadoured hipsters struck such a chord with international audiences that the fictional band became a genuine attraction, touring the world. Later, Kaurismäki created a sequel, Leningrad Cowboys Meet Moses,and filmed a gigantic outdoor concert that the band put on in Helsinki, for the rollicking documentary Total Balalaika Show. With this Eclipse series, we present all three crackpot musical and comic odysseys, along with five Leningrad Cowboys music videos also directed by Kaurismäki.

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The Criterion Collection

The Match Factory

Senses of Cinema

Film Comment interview

The Guardian interview

Official Band Site / Facebook / Twitter / YouTube

Spotify / Discogs / Setlist / AllMusic

David’s Journey Through the Eclipse Series review

Criterion Confessions review by Jamie S. Rich

DVD Verdict review by Gordon Sullivan

PopMatters review by Jose Solis

Slant Magazine review by Bill Weber

Cine Outsider review by Slarek (UK release)

New York Times review by Vincent Canby

Washington Post review by Hal Hinson (1991)

Spirituality and Practice review by Frederick and Mary Ann Brussat

Not Coming to a Cinema Near You review by Tina Hassannia

Lenin Imports review

Variety review by David Stratton

Lenin Imports review

Lenin Imports review

Full original concert (1′ 48″) on YouTube

Next time on the podcast: Eclipse Series 40: Late Ray 

This podcast focuses on Criterion’s Eclipse Series of DVDs. Hosts David Blakeslee and Trevor Berrett give an overview of each box and offer their perspectives on the unique treasures they find inside. In this episode, David and Trevor discuss Eclipse Series 43: Agnès Varda in California.

About the films:

The legendary French filmmaker Agnès Varda, whose remarkable career began in the 1950s and has continued into the twenty-first century, produced some of her most provocative works in the United States. After temporarily relocating to California in the late sixties with her husband, Jacques Demy, Varda, inspired by the politics, youth culture, and sunshine of the San Francisco and Los Angeles areas, created three works that use documentary and fiction in various ways. She returned a decade later, and made two other fascinating portraits of outsiderness. Her five revealing, entertaining California films, encompassing shorts and features, are collected in this set, which demonstrates that Varda was as deft an artist in unfamiliar terrain as she was on her own turf.

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Next time on the podcast: Eclipse Series 29: Aki Kaurismäki’s Leningrad Cowboys

This podcast focuses on Criterion’s Eclipse Series of DVDs. Hosts David Blakeslee and Trevor Berrett give an overview of each box and offer their perspectives on the unique treasures they find inside. In this episode, David and Trevor discuss Eclipse Series 36: Three Wicked Melodramas from Gainsborough Pictures.

About the films:

During the 1940s, realism reigned in British cinema—but not at Gainsborough Pictures. The studio, which had been around since the twenties, found new success with a series of pleasurably preposterous costume melodramas. Audiences ate up these overheated films, which featured a stable of charismatic stars, including James Mason, Margaret Lockwood, Stewart Granger, and Phyllis Calvert. Though the movies were immensely profitable in wartime and immediately after, Gainsborough did not outlive the decade. This set brings together a trio of the studio’s most popular films from this era—florid, visceral tales of secret identities, multiple personalities, and romantic betrayals.

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Next time on the podcast: Eclipse Series 43: Agnès Varda in California

This podcast focuses on Criterion’s Eclipse Series of DVDs. Hosts David Blakeslee and Trevor Berrett give an overview of each box and offer their perspectives on the unique treasures they find inside. In this episode, David and Trevor conclude their two-part discussion of Eclipse Series 32: Pearls of the Czech New Wave.

About the films:

Of all the cinematic New Waves that broke over the world in the 1960s, the one in Czechoslovakia was among the most fruitful, fascinating, and radical. With a wicked sense of humor and a healthy streak of surrealism, a group of fearless directors—including eventual Oscar winners Miloš Forman and Ján Kadár—began to use film to speak out about the hypocrisy and absurdity of the Communist state. A defining work was the 1966 omnibus film Pearls of the Deep, which introduced five of the movement’s essential voices: Věra Chytilová, Jaromil Jireš, Jiří Menzel, Jan Němec, and Evald Schorm. This series presents that title, along with five other crucial works that followed close on its heels, one from each of those filmmakers—some dazzlingly experimental, some arrestingly realistic, all singular expressions from a remarkable time and place.

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Timeline for the podcast:

Introduction (00:00:01 – 00:08:05)

Return of the Prodigal Son (00:08:06 – 00:46:16)

Capricious Summer (00:46:17 – 01:05:55)

The Joke (01:05:56 – 01:24:08)

Conclusion (01:24:09 – 01:40:01)

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Next time on the podcast: Eclipse Series 36: Three Wicked Melodramas from Gainsborough Pictures

This podcast focuses on Criterion’s Eclipse Series of DVDs. Hosts David Blakeslee and Trevor Berrett give an overview of each box and offer their perspectives on the unique treasures they find inside. In this episode, David and Trevor conclude their two-part discussion of Eclipse Series 32: Pearls of the Czech New Wave.

About the films:

Of all the cinematic New Waves that broke over the world in the 1960s, the one in Czechoslovakia was among the most fruitful, fascinating, and radical. With a wicked sense of humor and a healthy streak of surrealism, a group of fearless directors—including eventual Oscar winners Miloš Forman and Ján Kadár—began to use film to speak out about the hypocrisy and absurdity of the Communist state. A defining work was the 1966 omnibus film Pearls of the Deep, which introduced five of the movement’s essential voices: Věra Chytilová, Jaromil Jireš, Jiří Menzel, Jan Němec, and Evald Schorm. This series presents that title, along with five other crucial works that followed close on its heels, one from each of those filmmakers—some dazzlingly experimental, some arrestingly realistic, all singular expressions from a remarkable time and place.

Subscribe to the podcast via RSS or in iTunes.

Timeline for the podcast:

Introduction (00:00:01 – 00:25:52)

Pearls of the Deep (00:25:53 – 01:05:46)

Daisies (01:05:47 – 01:33:00)

A Report on the Party and Guests (01:33:01 – 01:48:02)

Conclusion (01:48:03 – 01:50:22)

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Next time on the podcast: Eclipse Series 32: Pearls of the Czech New Wave, Part Two

This podcast focuses on Criterion’s Eclipse Series of DVDs. Hosts David Blakeslee and Trevor Berrett give an overview of each box and offer their perspectives on the unique treasures they find inside. In this episode, David and Trevor conclude their two-part discussion of Eclipse Series 39: Early Fassbinder.

About the films:

From the very beginning of his incandescent career, the New German Cinema enfant terrible Rainer Werner Fassbinder refused to play by the rules. His politically charged, experimental first films, made at an astonishingly rapid rate between 1969 and 1970, were influenced by the work of the Antiteater, an avant-garde stage troupe that he had helped found in Munich. Collected here are five of those fascinating and confrontational works. Whether a self- conscious meditation on American crime movies, a scathing indictment of xenophobia in contemporary Germany, or an off-the-wall look at the dysfunctional relationships on film sets, each is a startling glimpse into the mind of a twentysomething man who was to become one of cinema’s most madly prolific artists.

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Timeline for the podcast:

Introduction/Background (00:00:01 – 00:15:07)

Gods of the Plague/The  American Soldier (00:15:08 – 01:04:05)

Beware of a Holy Whore (01:04:06 – 01:42:30)

Conclusion (01:42:31 – 01:49:11)

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Next time on the podcast: Eclipse Series 32: Pearls of the Czech New Wave

This podcast focuses on Criterion’s Eclipse Series of DVDs. Hosts David Blakeslee and Trevor Berrett give an overview of each box and offer their perspectives on the unique treasures they find inside. In this episode, David and Trevor discuss Eclipse Series 39: Early Fassbinder.

About the films:

From the very beginning of his incandescent career, the New German Cinema enfant terrible Rainer Werner Fassbinder refused to play by the rules. His politically charged, experimental first films, made at an astonishingly rapid rate between 1969 and 1970, were influenced by the work of the Antiteater, an avant-garde stage troupe that he had helped found in Munich. Collected here are five of those fascinating and confrontational works. Whether a self- conscious meditation on American crime movies, a scathing indictment of xenophobia in contemporary Germany, or an off-the-wall look at the dysfunctional relationships on film sets, each is a startling glimpse into the mind of a twentysomething man who was to become one of cinema’s most madly prolific artists.

Subscribe to the podcast via RSS or in iTunes.

Timeline for the podcast:

Introduction/Background (00:00:01 – 00:33:32)

Love is Colder than Death (00:33:33 – 01:02:34)

Katzelmacher (01:02:35 – 01:28:48)

Conclusion (01:28:49 – 01:30:45)

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Next time on the podcast: Eclipse Series 39: Early Fassbinder [Part 2]

This podcast focuses on Criterion’s Eclipse Series of DVDs. Hosts David Blakeslee and Trevor Berrett give an overview of each box and offer their perspectives on the unique treasures they find inside. In this episode, David and Trevor discuss Eclipse Series 42: Silent Ozu – Three Crime Dramas

About the films:

The great Japanese filmmaker Yasujiro Ozu is best known for the stately, meditative domestic dramas he made after World War II. But during his first decade at Shochiku studios, where he dabbled in many genres, he put out a trio of precisely rendered, magnificently shot and edited silent crime films about the hopes, dreams, and loves of small-time crooks. Heavily influenced in narrative and visual style by the American films that Ozu adored, these movies are revelatory early examples of his cinematic genius, accompanied here by new piano scores by Neil Brand.

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Timeline for the podcast:

Introduction/Background (00:00:01 – 00:22:10)

Walk Cheerfully (00:22:11 – 00:51:19)

That Night’s Wife (00:51:20 – 01:17:24)

Dragnet Girl (01:17:25 – 01:37:34)

Conclusion (01:37:35 – 01:50:23)

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Episode Links:

Director Overview:

Box Set Reviews:

Walk Cheerfully:

That Night’s Wife:

Dragnet Girl:

Next time on the podcast: Eclipse Series 39: Early Fassbinder

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