In this episode, Mac Parker and Anatarah Bin AlKaf have a casual chat on Richard Lewontin and Richard Levins seminal book the Dialectical Biologist. They cover why this book remains a key contribution to Marxist theory, philosophy of nature, and philosophy of technology. Along the way, the conversation tackles the influence of Friedrich Engels on Marxist science historiography and science critique from Boris Hessen to the Max Planck institute’s historical epistemology research program. Our discussion culminates in a call for an integrative approach—one that unites political philosophy and science, the local and the global—in the spirit of the dialectical biologists’ vision.

The books discussed were (or alluded to):

- The Dialectical Biologist (1985) by Richard Levins and Richard Lewontin

- Biology Under the Influence (2007) by by Richard Levins and Richard Lewontin

- The Social and Economic Roots of the Scientific Revolution (2009) ed. Gideon Freudenthal and Peter McLaughlin

- Abstraction and Representation (1996) by Peter Damerow

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In this episode, join your hosts Sam Thomas (resident Italophile), J.E. Morain, and James Crane for a discussion taking the 1951 polemic, “Murder of the Dead,” as a point of departure for deeper dive into Amadeo Bordiga’s bellicose and beautiful run of essays in eco-communism throughout the 50s and 60s. Topics of discussion include: Bordiga’s critique of a version of the ‘state capitalism’ thesis, the conceptual matrix of living/dead labor and variable/constant capital, the theoretical and stylistic function of ‘invariance’ in Bordiga's writings, coal mine collapses, the flooding of symbols of national pride, and scientific-scatological reflections on the ‘how’s of abolishing the antithesis of town and country. We end with a few remarks on the conquest of the fear of death and the “natural condition of the prosperity of the species” in Bordiga's 1961 “In Janitzio Death is not Scary.”

Other Bordiga essays discussed in the episode:

“The Filling and Bursting of Bourgeois Civilisation” (1951)

“The Human Species and the Earth’s Crust” (1952)

“The Spirit of Horsepower” (1953)

“Weird and Wonderful Tales of Modern Social Decadence” (1956)

“The Legend of the Piave” (1963)

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“The motive for realism is never the confirmation of reality but protest.” —Alexander Kluge

“I want my stories to be one hundred percent realistic while at the same time presenting something unseen.” —Ghassan Kanafani

In this episode, join your hosts Sebastian Kokesch and James Crane for a discussion of the necessary connection between aesthetic autonomy and revolutionary political commitment in Ghassan Kanafani's best-known literary writings in English translation: Men in The Sun ('62), All That’s Left to You ('66), & Returning to Haifa ('69). From the perspective of the 'undivided' project of Ghassan Kanafani—as novelist, critic, and militant—we read each of these novels as a contribution to the same culture of resistance he theorized and organized.

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Join your hosts J.E. Morain and James Crane for an introduction to the rogue's gallery of far left dissidents (communists, socialists, anarchists) who formed the core of the 'Frankfurt School' from the early 1920s through late 1940s.

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Critics and theorists! Our first official episode of "Critique of the Podcast Form," a discussion with J.E. Morain, Mac Parker, Re Tejus, and James Crane on the CTWG's recent "Racketology" dossier: https://ctwgwebsite.github.io/blog/category/racketology/

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Critics and Theorists: the CTWG is proud to present "Episode 0: Debrief on Margin Notes Vol. 1" of "Critique of the Podcast Form," a critical theory podcast! Make sure to watch this space and also bother us for more episodes.

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