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Crossjam
By Stevie J Jones and Jules MaxwellMusic
Crossjam episodes
- Friday 2nd April 2021After a stressful day getting our release announcement for "Fragments from The Cross, Vol. 2" out, we relax into a chilled, simple jam featuring Mani Maxwell on harmonium, Jules on electric piano and Stevie J on spacey guitar.7 min
- Thursday 1st April 2021An oriental scent drifts into this spacey arpeggiated piece. Stevie J Jones on Jupiter 8, Jules Maxwell on electric piano and talky growly synth. Shimmering.5 min
- Wednesday 31st March 2021As Jules says at the end, "a stallion". 9/8 thing. Hard to hang on to but some great moments. Rolling, kicking, SH-101, guitar, synth and amped electric piano.5 min
- Tuesday 30th March 2021We are delighted to welcome Foy Vance as our special guest on drums and organ. We just agreed F#m, 175bpm, 5 minutes. We did ours. He did his. And we put them together to make this...6 min
- Friday 26th March 2021Jules and Stevie J explore their 80s side... Juno 60, SH-101, piano and organ, and of course, masses of Blade Runner type reverb.9 min
- 6 min
- Wednesday 24th March 2021"Raw and unedited..." as proved by the ending. Guitar, organ and electric piano.6 min
- Tuesday 23rd March 2021Lighting things up a bit with a driving groove inspired by Bitches Brew... Jules on fire on the Rhodes, SH-101 bass and delay guitar.7 min
- Monday 22nd March 2021A minimal circular chord progression. Spacey guitar, electric piano and organ.5 min
- 8 min
About Crossjam
From the publisher's feed
Crossjam is a daily music improvisation between Stevie J Jones and Jules Maxwell, recorded every lunchtime at their little workspace in Brockley Cross, London.
Jules and Stevie J grew up in a Northern Irish coastal town called Bangor and have known each other for 30 years. Between them, they have played with a host of bands and artists including Brian Eno, Dead Can Dance and AIR as well as creating soundtracks for shows at The Royal Opera House and Shakepeare’s Globe Theatre.
Crossjam is an opportunity for them to set aside their ongoing individual projects for about ten minutes each day and make some music with each other. The recordings are raw and unedited, published every weekday afternoon.