As a deejay Franky Sticks has been rocking crowds at clubs, and festivals for over 5 years and is known for his ability to incorporate turntablism into his sets. Franky is also a member of Rotterdam's very own Re:Freshed Orchestra.

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Third Ground is a monthly sonic space curated by Ezri Jade, where diasporic experiment is the (only) common ground. Expect electronic selections that move between root and future. For this episode, Prance takes over the decks.

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OatMilk’s upcoming performance on Operator Radio is set to be a masterclass in atmospheric depth, blending vast, emotional soundscapes with a heavy, grounding low-end. The set promises to be a journey through wide-reaching textures, where massive atmospheres meet a deep bass foundation that resonates through the listener. The performance will showcase a seamless fusion of rhythmic structures, navigating between the hypnotic drive of 4x4 pulses and the complex energy of breaks. By weaving in half-time signatures and intricate broken beats, OatMilk creates a dynamic tension that keeps the listener in a state of constant evolution. Central to this journey is the influence of deconstructed club, where traditional dancefloor tropes are stripped back and reassembled into something raw and avant-garde. This set isn't just a collection of tracks; it’s a wide-screen cinematic experience that balances the technical precision of modern electronic production with a profound, soul-stirring resonance. Prepare for a deep dive into a world where the rhythmic and the ethereal collide.

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DJ Fiona (Rommy Gindin) is a Berlin-based DJ and the founder of AcidReflux party series and San Loqal collective. Moving fluidly through trance, trance-house, electro, and breaks, she weaves acid textures into her sets whenever possible. Her selections balance emotion, tension, and momentum, shaping hypnotic, forward-driving journeys on the dancefloor. Rooted in underground rave culture, her work as both a DJ and promoter is community-driven and fueled by deep passion and curiosity.

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Foghan DJ and ambassador Foghan not only understands house; he lives it and, better yet, embodies it. Because yes, it is a soul thing. His journey from underground rave promoter to mentor and scout to DJ is his testament to his never-ending love for house music.

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A first transmission from knominal. Field recordings from Rotterdam port sit next to early electronic experiments, with signals from the past arriving a little out of time. Expect anything from kitchen-radio hum to pirate broadcasts, from saturated synthesis to chopped-up samples.

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“Listening to Possible Worlds” is an upcoming conference at Universiteit Leiden (22-23 October) organised by Daný van Dam, Ruth Clemens and Michael Thomas Rowland as part of the project “Tracing Players Playing Traces: Non/Human Music in Modern and Contemporary Literature”. As part of the project, k.cast (MTR) brings one hour of speculative storytelling, sound, technology and literary theory threaded into soundscapes and tracks from Kraftwerk, YMO, Форум, Fatima Yamaha and more. On the way we’ll listen to the links between literature and music, technology and sound control, algorithmically-determined forms of consciousness (the Glitter Freeze) and how the digital is accelerating the growth of radical communities first formed centuries ago.

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How can music make other worlds possible? From jazz cosmologies of Nubian astronomical sites, to low-fi explorations of alien abduction off the Yorkshire coast, this show presents a selection of speculative sounds from elsewhere.

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Recording this right after three wonderful days of Horst Festival. Expect a lot of sub rattling bass workouts.

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Here Goes Nothing. A phrase often associated with either expecting failure or doing something risky, although none of that will be the case for this radio show, well, maybe a bit risky. But don't you worry about that? There are no restrictions and no genres here, only a wide array of music brought to you by Ranie Ribeiro.

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