In this episode one of the UK’s best script editors, Andrew Ellard (Chewing Gum, IT Crowd, Red Dwarf), chats to Nodee Niranjana from the New Blood Academy about what makes a good story. They cover everything from writing for TV, to the future of comedy.

Sometimes deadlines can seem like the biggest stress you face when developing creative work, but how do we use them to our advantage? Elise Smidt and Karina Bonnin, a creative duo from the 2018 New Blood Academy, talk to CCO at Mr President and former D&AD president Laura Jordan Bambach about how deadlines should not be seen as the enemy.

We often focus on what the skills of tomorrow are in terms of tech and innovation, but do we sometimes forget about the art of thinking? In this episode New Blood participant Cath Shayler discusses the art of thinking with AKQA’s co-founder, James Hilton.

A lot of brands try to tap into popular culture, but how can they do it in a way that feels genuine and relevant? David Speed from Graffiti Life and Superimpose’s Jenny Zhang chat to New Blood participant Iain Nabong about culture and relevance.

For many people securing their first job is an achievement enough, but in this episode we explore how to make the most of it? 2018 D&AD New Blood Winner, Adam Morton-Delaney, chats with designer Craig Oldham and Poke London’s Robyn Frost.

Authenticity is something that all creatives strive for, but how do we manage this when dealing with brands and clients? Is it important to always produce authentic work? These are just some of the questions tackled in today’s episode by Chris Bovill (Warner Music) and Cullen and Ola, two ex New Blood Academy participants who now work for him.