This episode is a 90s Classic House mix — The Ultimate 90s House Classics Volume 3, covering 1992–1993 and closing the trilogy with club-ready edits and familiar anthems. Party Favorz blends big-name pop divas and underground house movers to trace how house rhythms reshaped mainstream dance across those two years.

Highlights include RuPaul’s Couture Mix of “Supermodel (You Better Work),” Janet Jackson’s Brothers In Rhythm House Mix of “If,” and Martha Wash’s powerful Masters At Work 12" Dance Mix of “Carry On.” CeCe Peniston and Whitney Houston appear in peak-house remixes, while Madonna’s Shep’s Classic 12" anchors the set; these selections show the era’s crossover pulse where pop and club culture met the dancefloor.

With nearly three hours of mixes and deep edits, the collection also touches on club staples from Nightcrawlers, Pet Shop Boys, and Bizarre Inc., making this volume a closing celebration of a transformative period for Classic House music.

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90s House Classics — The Ultimate 1992–1993 Volume 2 gathers two hours-plus of club-ready mixes and memorable vocal anthems from a pivotal era in dance music. This set focuses on the early ’90s house sound and serves as a curated trip through Diva-led vocal classics, remix-room masterpieces, and peak-time club edits designed to keep the dancefloor moving.

Highlights include Chaka Khan’s Garage Mix of “Love You All My Lifetime,” Martha Wash’s Momo’s Klub Mix of “Give It To You,” and Robert Owens’ “I’ll Be Your Friend” in the David Morales Def Mix. The collection also showcases Kenlou edits and Morales reworks with Saint Etienne, Pet Shop Boys, Lil’ Louis featuring Joi Cardwell, and Sunscreem’s Farley & Heller Heavy Club Mix. Thoughtful mixing and careful remastering emphasize the era’s shift in DJ technique and the chemistry between vocal power and club production.

This volume is the second installment of a two-year exploration, built for listeners who want authentic 1992–1993 house moments without the fluff. Press play and enjoy the grooves.

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90s House Classics — The Ultimate 1992–1993 Vol. 1 collects early‑90s club staples and extended mixes meant for the dancefloor. This Party Favorz volume focuses on the period’s House sound, pairing definitive remixes with Eurodance‑tinged favorites to celebrate the era’s production and bass-forward warmth. Highlights include Shawn Christopher’s “Don’t Lose The Magic” (David Morales Club Mix), Degrees Of Motion’s King Street Mix of “Do You Want It Right Now,” and The Daou’s Ballroom Mix of “Surrender Yourself.” You’ll also hear StoneBridge’s work on Robin S. and MK’s signature mix with Alana, plus a tasteful placement of Annie Lennox’s David Morales remix to show how House production crossed into pop. The set runs just over three hours and leans on classic remixers and extended mixes that defined early‑90s club nights. If you remember the clubs from 1992–1993 or are discovering that period for the first time, this compilation is sequenced for sustained energy and deep, melodic grooves. Expect roomy low end, familiar hooks, and mixes built for long DJ‑style play rather than radio edits.

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This episode is a 90s House Music Classics mix — The Ultimate 90’s House Classics, covering 1988–1991 and closing the three-volume set. It gathers crossover hits and underground essentials across four hours-plus, highlighting how those early club sounds still shape dance floors today.

Volume 3 pairs scene-defining anthems with influential remixes: Marshall Jefferson’s “Move Your Body,” Lisa Stansfield’s club-ready turns, Lil’ Louis’ erotic Acid House landmark “French Kiss,” Crystal Waters’ “Gypsy Woman,” Ralphi Rosario’s “You Used To Hold Me” with Xavier Gold, and Frankie Knuckles’ deeper moments. You’ll hear classic mixes by Magic Juan, David Morales, Steve “Silk” Hurley and Basement Boys woven into a set that balances radio crossover and warehouse grit.

Whether you’re revisiting favorites or discovering the era’s production and remix culture, this anthology celebrates the songs and versions that kept dance floors moving then and now.

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This episode is a 90s Classic House mix from The Ultimate 90’s House Classics series, covering key club cuts from 1988–1991. Volume 2 collects club mixes and remixes that shaped the era, from Def Club and David Morales treatments to Hurley and Clivillés & Cole’s defining club edits. The set is designed as a straight run-through of old-school and early 90s house staples for listeners who want the dance-floor essentials in one place.

Highlights include Adeva’s Def Club Mix of “It Should Have Been Me,” C+C Music Factory’s Clivillés & Cole Hip‑House Club Mix of “Gonna Make You Sweat,” and Technotronic’s David Morales remix of “Pump Up The Jam.” The compilation also digs into acid and proto‑techno moments with Maurice’s “This Is Acid,” Royal House’s “Get Funky,” and Hithouse’s Party Mix of “Jack To The Sound Of The Underground.” With selections from Joey Negro, Brothers In Rhythm, Jomanda, Crystal Waters, Inner City, Deee‑Lite and more, the mix charts the era’s club energy and production styles without nostalgia for its own sake.

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90s Classic House — The Ultimate 90's House Classics [1988 - 1991] Vol. 1 collects two hours and twenty-six minutes of late‑80s to early‑90s club remixes and crossover dance hits. This compilation traces the period when house moved from underground Chicago and New York scenes into mainstream radio, assembling iconic club mixes and 12" versions that defined the era. Highlights include Soul II Soul’s Keep On Movin' and Back To Life, Ce Ce Peniston’s Finally (12" Choice Mix), Snap!’s The Power (Full Mix), and Madonna’s Vogue and Express Yourself in extended forms. The set also spotlights influential remix work by David Morales and Shep Pettibone alongside floorfillers from Nomad, Janet Jackson, Lisa Stansfield, and Deee-Lite, offering a snapshot of how producers and remixers shaped the sound of classic house. Designed for listeners who want the dancefloor throughline from 1988 to 1991, this volume serves both as nostalgia and a practical reference for DJs exploring original club mixes and pivotal remixes from the period.

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Disco mix — Thank God It's Disco Volume 3 (2020) celebrates classic disco reworks and deep-era gems retouched for modern dancefloors. This 4+ hour set balances familiar crowd-pleasers with lesser-known originals whose riffs and hooks have quietly influenced later house and club hits. Expect remixes and re-edits by Dimitri From Paris, Joey Negro, Dr. Packer, and Disco Incorporated alongside originals from Sister Sledge, Chic, Jackie Moore, and Gary's Gang.

The episode highlights connections across decades: the post notes point to John Davis & The Monster Orchestra and Gary's Gang as source material for later club hits, and calls out Armand Van Helden and Freemasons for borrowing disco motifs. Select remixes to listen for include Dimitri From Paris’ takes on Sister Sledge and Chic, Joey Negro’s extended mixes, and Danny Krivit and Tony Mathe reworks that keep the original groove while updating the production. A long, lovingly curated ride for disco heads and curious newcomers alike.

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Disco remixes and reimagined classics: Thank God It's Disco Volume 2 (2020) collects nearly four and a half hours of remastered 70s and 80s dancefloor gems updated for modern sound systems. This edition focuses on rare versions and contemporary DJ edits that keep the originals' groove while adding fresh production — from Dr. Packer’s many retakes to club-minded treatments by Barry Harris and Purple Disco Machine. Highlights include spirited reworks of Change, Patrice Rushen, Diana Ross, and Blondie alongside savvy edits by Joey Negro and SanFranDisko. The set leans into boogie and sophisticated disco textures, with a few tracks renamed by remixers but restored here with original titles and remixer credits to help you find them on Juno, Beatport, or Traxsource. If you follow the scene, Barry Harris’s live Sunday Tea Dance remains a reminder that classic disco lives in both archives and current performance. Expect seamless mixes, roomy low end, and a steady party pace — Volume 3 is already teased for release soon.

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This episode is a 2020 homage to 90s Eurodance and Techno — The Ultimate Eurodance Collection Vol. 4 — built to relive the era’s singalong hooks and club-ready energy. The set paints the decade with everything from Ann Lee’s instantly memorable “2 Times” (noted for its slower 130 BPM groove) to high-BPM floor fillers and novelty anthems that defined dancefloors.

Highlights include La Bouche’s powerhouse moments with “Be My Lover” and “Sweet Dreams,” the rustic rave-pop of Rednex’s “Cotton Eye Joe,” and Paul Lekakis’ cheeky “Boom Boom (Let’s Go Back To My Room).” Eurodance reworks and crossover hits feature too — DHT’s take on “Listen To Your Heart,” September’s “Cry For You,” and Ace of Base’s “Beautiful Life” close the mix, showing how the scene blended pop songwriting with club production to keep crowds moving. This volume is a compact, nostalgia-forward ride through the sounds that kept radios and clubs in sync.

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This episode is a 2020 Eurodance and Techno mix from The Ultimate Eurodance Collection, Volume 3, curated to revisit the hooks and club-friendly beats that defined the 90s. Expect extended mixes and club edits built for dancing — a straight shot of nostalgia that spans Hi‑NRG, trance-leaning remixes, and pure Eurodance singalongs.

Highlights include Aqua’s polarizing but iconic “Barbie Girl,” Vengaboys’ Ibiza-ready anthems, and Alice Deejay’s emotive club staple “Better Off Alone.” Fragma’s “Toca’s Miracle” and N‑Trance’s crossover “Set You Free” bring trance and breakbeat textures into the sequence, while Nicki French’s take on “Total Eclipse Of The Heart” adds pure Hi‑NRG pop energy. The mix also nods to house-inflected cuts and classic vocal-driven tracks that kept dancefloors moving.

Run time is roughly 1:52:30 across extended and club mixes. This volume is for listeners who want a concise, party-ready survey of late-90s Eurodance and its techno-adjacent cousins.

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