Una visión profunda de la obra y la filosofía del artista español Daniel G. Andújar, centrándose particularmente en su proyecto “Technologies To The People” (TTTP) y su exploración del archivo como herramienta artística y política. Temas principales: Ideas y hechos importantes: Citas relevantes: Conclusión: Daniel G. Andújar es un artista comprometido con la crítica social […]

Una visión profunda de la obra y la filosofía del artista español Daniel G. Andújar, centrándose particularmente en su proyecto "Technologies To The People" (TTTP) y su exploración del archivo como herramienta artística y política.

The project “Postcapital Archive (1989-2001)” by artist Daniel G. Andújar, which uses an extensive digital archive to analyze themes of history, politics, culture and economy, is an example of how art can challenge power structures and dominant ideologies in a post-communist world. Through montages, installations and workshops, Andújar questions notions of progress, democracy and freedom, as well as the influence of information technologies on social life. The text examines the evolution of the “Postcapital” project in different exhibitions, showing how the digital archive, which collects information from diverse sources, is constantly transformed through processes of selection, interpretation and recontextualization.

This podcast explores the creation and impact of the website e-valencia.org, a forum for debate on the cultural policy of the Valencian Community, founded by the artist Daniel García Andújar. The controversy surrounding the closure of the website by the University of Alicante is analysed, as well as its relaunch from London. The texts also examine the social and political context that prompted the creation of e-valencia.org, including the cultural management of the Partido Popular in the Valencian Community, citizen resistance initiatives, the expansion of the IVAM, and the celebration of the Valencia Biennial. In addition, topics such as censorship in culture, the relationship between art and politics, and the role of new technologies in society are explored.

"Archivo Postcapital (1989-2001)" de Daniel G. Andújar se presenta como un proyecto ambicioso que busca comprender las complejas transformaciones del mundo postcapitalista. A través del análisis crítico de las imágenes, la información y los sistemas de representación, el proyecto busca generar espacios de reflexión y acción colectiva.

Daniel G. Andújar’s artistic practice is deeply connected to the social and political context of his time. His works not only reflect the concerns of the contemporary world but also seek to challenge power structures and the dominant narratives that sustain them. For Andújar, art is not simply an aesthetic matter, but a powerful tool […]

The interviews with and Daniel G. Andújar offer a critical and challenging view of the role of art in the digital age. Their work invites us to question power structures, dismantle technological utopia, and reclaim art’s potential as a space of resistance, critique, and social transformation. Through appropriation, recontextualization, and the creation of new archives, these artists challenge us to look beyond the digital surface and build a more conscious and critical future.