A floating ambient guitar piece built around melody and shifting harmony.

Recorded without a click — just following the phrasing and the state of mind in the moment. The Stratocaster electric guitar carries the theme, while Hofner bass responds with rhythmic ponctuations. ARP Odyssey and Oberheim OB-E synths expand the space with subtle textures.

Quietly melancholic and introspective — reflective rather than heavy.

Inspired by this haiku:

when you return

don't forget my house!

departing swallows

Haiku by Kobayashi Issa

Photo by V.P.

Music by DD

SHUT UP!

Urban instrumental groove driven by Fender bass and brushed drums by Steve Argüelles.

Acoustic guitar strums add an organic, smoother edge, while string orchestra textures expand the space with subtle dramatic swells — tight rhythm section energy meeting cinematic atmosphere.

Unreleased. Originally written for a documentary soundtrack.

Raw, restrained, and rhythm-forward.

Composed by DD.

Photo by Jackson Simmer

Dor this challenge:

https://llllllll.co/t/disquiet-junto-project-0738-speak-not

Follow The Clouds

A slow-burning electronic instrumental built entirely on Oberheim synths (GForce DMX, OB-E, OB-X).

A steady pulse anchors a repetitive bass figure, while evolving textures and small melodic fragments drift above it — unhurried, patient, suspended in motion.

Inspired by this haiku:

slowly gliding —

a snail in the grass

follows the clouds.

Haiku by El Wud

Photo by Tom Barrett

Composed and performed by DD

Friday, February 13th, 2026

@naviar-records

The Jungle

Acoustic cinematic percussion piece.

The pulse shifts from 6/8 into straight 4/4 while maintaining the same underlying tempo — the groove transforms without losing momentum.

Organic textures, subtle trailer-style impacts, and sustained rhythmic tension carry the piece forward.

Performed on real instruments: marimba, bombo, bamboo drums (tun / teponaztli), shakers, caxixi, and more.

Composed and performed by DD

for:

https://llllllll.co/t/disquiet-junto-project-0737-opening-ceremony

An instrumental electronic piece driven by pulse, texture, and gradual transformation.

Using only Oberheim synth emulations, a new sound and musical idea appears every four bars — briefly explored, then replaced, mimicking the restless logic of endless scrolling.

A constant low drone and a steady, heartbeat-like pulse hold everything together, while textures and gestures shift above the surface.

In the final section, all previously introduced sounds return, forming a single, extended cycle.

Composed and performed by DD — Feb 5, 2026.

Inspired by this challenge:

https://llllllll.co/t/disquiet-junto-project-0736-feed-me

A free guitar improvisation, recorded ad lib with no click.

Electric guitar leads the performance, later joined by an ARP Odyssey in overdub—soft pads and melodic lines subtly doubling and shadowing the guitar.

Inspired by the Crayola color Cosmic Cobalt: deep blue, luminous, slightly unreal.

An intuitive, cinematic sketch where tone and space matter more than structure.

Created by DD in the morning of Friday January 30th 2026 in Paris, France.

for this challenge:

https://llllllll.co/t/disquiet-junto-project-0735-spectrum-analysis/

Fragile, warm, major chords are spread in a slow arc, like an string carillon. — a fully acoustic piece built without a click, letting time breathe.

The first part unfolds as ascending-descending arpeggios, traveling from the lowest bass notes to the highest ukulele register, spanning several octaves across three instruments.

The second part settles into repeating acoustic patterns, with tempo-based delays and softly strummed Martin chords expanding the motion.

Not ambient, but song-like — a neoclassical acoustic soundscape: tender, positive, and quietly buoyant.

Inspired by this haiku:

One leaf falls;

then another —

on the wind.

Haiku by Hattori Ransetsu

Photo by Oliver Hihn

Acoustic guitars, tenor ukulele & acoustic bass guitar — DD

naviarhaiku630

A cinematic, ambient instrumental composed and performed yesterday and today, inspired by the sound world of Vangelis and his score for Blade Runner.

Built exclusively with an ARP Odyssey, the piece unfolds slowly through drifting harmonies, analog motion, and sustained textures—evoking solitude, nocturnal images, and introspection.

Composed and performed by DD, January 21st & 22nd 2026

For this weekly challenge:

https://llllllll.co/t/disquiet-junto-project-0734-meet-cue

A solo electric guitar performance, recorded live in real time on an Epiphone Sheraton, using pedals only—no overdubs, no click, no edits.

Slowly unfolding phrases, spacious delays, and sustained reverbs shape a floating, panoramic atmosphere, evoking open landscapes and road-movie imagery. The piece follows the natural flow of the performance: man, guitar, and space, without grid or constraint.

Cinematic, minimal, and instinctive.

An ambient instrumental built from layered electric guitars—Stratocasters and Telecasters—combining five evolving atmospheric volume pedal parts with a restrained clean Strat lead.

Slow-moving textures, sustained harmonics, and gentle melodic lyricism create a nocturnal, immersive soundscape, balancing stillness and motion.

Composed and performed by Daniel DIaz.

Photo by Filipe Resmini

Inspired by the haiku:

In the dark beyond,

a sound falls down —

the moth.

— Dakotsu Īda

naviarhaiku628 @naviar-records