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During the mid-19th century, European academic art was all the rage. Subjects in painting came from mythology, history or the Bible, and the work's style was often tight, controlled and hyper-realistic. Then came Daumier, a Frenchman, who helped change the game for good. Join our hosts as they discuss Daumier's disruptions of convention, rebellious choice of subject matter and loosened style.
By Lizy Dastin, art historian, Justin BUA, artist4.5
145145 ratings
During the mid-19th century, European academic art was all the rage. Subjects in painting came from mythology, history or the Bible, and the work's style was often tight, controlled and hyper-realistic. Then came Daumier, a Frenchman, who helped change the game for good. Join our hosts as they discuss Daumier's disruptions of convention, rebellious choice of subject matter and loosened style.

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