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On this week's show, host Jamilah King interviews the prolific artist, David Byrne about police shootings, Janelle Monáe, stage fright, “True Stories,” and fake news. Since the late-1970s, when Byrne formed Talking Heads, his career has been an endless stream of fascinating side projects, starting with his super-weird, super-cool Brian Eno collab, "My Life in the Bush of Ghosts." He founded his own World Music label, and his obsession with the National Color Guard Championships led to a documentary, "Contemporary Color." In November, as his American Utopia tour wrapped up, Byrne re-released his 1986 film, True Stories, which explores the inner lives and outer quirks of residents of a fictional Texas town. “It’s like 60 Minutes on acid,” Byrne once said. The timing was brilliant—but coincidental, he admits: “I hadn’t looked at it in a while. And a lot of it does seem prescient and newly relevant. There’s a lot of stuff that seems oddly like, ‘Oh. I recognize this! It seemed like fiction in the movie, and now it’s fact.’” Our interview with Byrne kicks off a month-long special holiday series, featuring some of our very most interesting studio interviews.
 By Mother Jones
By Mother Jones4.5
10621,062 ratings
On this week's show, host Jamilah King interviews the prolific artist, David Byrne about police shootings, Janelle Monáe, stage fright, “True Stories,” and fake news. Since the late-1970s, when Byrne formed Talking Heads, his career has been an endless stream of fascinating side projects, starting with his super-weird, super-cool Brian Eno collab, "My Life in the Bush of Ghosts." He founded his own World Music label, and his obsession with the National Color Guard Championships led to a documentary, "Contemporary Color." In November, as his American Utopia tour wrapped up, Byrne re-released his 1986 film, True Stories, which explores the inner lives and outer quirks of residents of a fictional Texas town. “It’s like 60 Minutes on acid,” Byrne once said. The timing was brilliant—but coincidental, he admits: “I hadn’t looked at it in a while. And a lot of it does seem prescient and newly relevant. There’s a lot of stuff that seems oddly like, ‘Oh. I recognize this! It seemed like fiction in the movie, and now it’s fact.’” Our interview with Byrne kicks off a month-long special holiday series, featuring some of our very most interesting studio interviews.

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