Today’s date in 1899 marks the birthday of the famous African-American composer, choir director, and teacher, William L. Dawson, in Anniston, Alabama. After musical studies in Kansas City and Chicago, from 1931 to 1956 Dawson taught at the Tuskegee Institute, where he developed the Institute’s Choir into an internationally-renowned ensemble.

Dawson’s arrangements of African-American spirituals, which he preferred to call “folksongs,” are justly famous, but in 1934 he produced his masterwork, a “Negro Folk Symphony,” modeled on Dvorak’s “New World “ Symphony, but exhibiting Dawson’s own distinctive mastery and development of his themes. His goal, he said, was for audiences to know that it was "unmistakably not the work of a white man."

"The themes,” wrote Dawson, “are taken from what are popularly known as Negro Spirituals. In this composition, the composer has employed themes … over which he has brooded since childhood, having learned them at his mother's knee."

Dawson’s symphony was successfully premiered by Leopold Stokowski and the Philadelphia Orchestra, who took the new work to Carnegie Hall, where its 35-year old composer was repeatedly called to the stage. The symphony was revised in 1952 with added African rhythms inspired by the composer's trip to West Africa.