Three monologues from the play DESERTS (DESIERTOS) by Hugo Alfredo Hinojosa, translated by Caridad Svich:

in the middle of war

in the bedroom

and

the insurance agent's office.

*

The translation was originally commissioned by The Lark in NYC, and developed later at the Goodman Theatre's Latino Festival.

Selections from notebook 5 Flame and notebook 6 Embers from SIGNAL FIRES edited by Maddy Costa for FUEL, ETT, Graeae and Headlong:

How to start a fire by Rowan Evans'

How to start a fire by Roseanna DIas

The Ghost Caller by Luke Barnes

Dear Unknown Friend by Stephanie Street.

in this episode two pieces: excerpt from To rage by Nastazja Domaradzka and the poem "Finding Home" by Elis Bevan-Davis from notebook 4 entitled SPARK of the 6 notebook collection SIGNAL FIRES published by Fuel, Headlong, Graeae, and ETT. Edited by Maddy Costa. 

In this episode of Day for Night with Caridad Svich, reading Mike Bartlett's short story "Phoenix" and Alice Oswald's poem "The Watchman" from notebook 3 "Flint + Steel" from the 6 notebook collection SIGNAL FIRES published by Fuel, ETT, Graeae and Headlong. Edited by Maddy Costa.

In this episode of Day for Night, I read Tom Wells' story "Lentils," which appears in the second notebook entitled "Kindling" from the 6 notebook collection SIGNAL FIRES published by Fuel, English Touring Company, Headlong and Graeae, and edited by Maddy Costa.

This first episode of 2022 begins with reading of the poem "Whatever we decide" by Nima Taleghani from the first notebook SIGNAL FIRES: 6 Notebooks commissioned by Fuel, Headlong, Graeae, and ETT (English Touring Company), editor is Maddy Costa.

Episode 32: excerpt from C & I by Caridad Svich.

Episode 31: from THEATRE: A LOVE STORY by Caridad Svich.

Episode 30: untitled free writing sequence by Caridad Svich

Ep 29: poems from Mi Cuba suite, part one by Caridad Svich. (In English and Spanish)