
Sign up to save your podcasts
Or


Today, a tip of the hat to the persistence of Elisa Hall, who lived in Boston from 1853 to 1924.
Hall was a Francophile and championed the best and the latest in French music. Sadly, she suffered from a hearing ailment, which would eventually result in complete deafness. At the advice of her doctor, who thought it might stimulate her ears, she took up the saxophone — and with typical enthusiasm soon began commissioning the leading French composers of the day for new pieces for her instrument.
In all, she commissioned 22 works, the most famous being by Claude Debussy. He at first refused Hall’s persistent offers of a commission, pleading the saxophone was “a reed animal with whose habits he was poorly acquainted.”
Debussy was paid in advance, but it was years before delivered a short rhapsody in a vaguely Moorish style. In May of 1919, one year after his death, the orchestration of the piece was completed by his friend, Jean Roger-Ducasse, and premiered in Paris.
Hall apparently never performed it herself. Maybe she was exasperated by the long delay or perhaps, by 1919, her own hearing had deteriorated to the point where she no longer could.
Claude Debussy (1862-1918): Rhapsody for Saxophone and Orchestra; Kenneth Radnofsky, alto saxophone; New York Philharmonic; Kurt Masur, conductor; Teldec 13133
By American Public Media4.7
176176 ratings
Today, a tip of the hat to the persistence of Elisa Hall, who lived in Boston from 1853 to 1924.
Hall was a Francophile and championed the best and the latest in French music. Sadly, she suffered from a hearing ailment, which would eventually result in complete deafness. At the advice of her doctor, who thought it might stimulate her ears, she took up the saxophone — and with typical enthusiasm soon began commissioning the leading French composers of the day for new pieces for her instrument.
In all, she commissioned 22 works, the most famous being by Claude Debussy. He at first refused Hall’s persistent offers of a commission, pleading the saxophone was “a reed animal with whose habits he was poorly acquainted.”
Debussy was paid in advance, but it was years before delivered a short rhapsody in a vaguely Moorish style. In May of 1919, one year after his death, the orchestration of the piece was completed by his friend, Jean Roger-Ducasse, and premiered in Paris.
Hall apparently never performed it herself. Maybe she was exasperated by the long delay or perhaps, by 1919, her own hearing had deteriorated to the point where she no longer could.
Claude Debussy (1862-1918): Rhapsody for Saxophone and Orchestra; Kenneth Radnofsky, alto saxophone; New York Philharmonic; Kurt Masur, conductor; Teldec 13133

6,881 Listeners

38,950 Listeners

8,801 Listeners

9,238 Listeners

5,825 Listeners

941 Listeners

1,390 Listeners

1,290 Listeners

3,152 Listeners

1,973 Listeners

526 Listeners

182 Listeners

13,784 Listeners

3,091 Listeners

246 Listeners

28,143 Listeners

433 Listeners

5,480 Listeners

2,191 Listeners

14,152 Listeners

6,432 Listeners

2,525 Listeners

4,832 Listeners

574 Listeners

246 Listeners