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Anytime now. We’ll let Rose go. Any day. Just. Right there.
We used to have a grasshopper in our recording studio but we’ve recorded so many different places now that I don’t think the grasshopper has shown up many times in the past year. I was going to make a joke about recording this podcast with grasshoppers on our back but it wouldn’t really make sense if the grasshoppers can’t be heard. It’s Turn Left, written by Russell T. Davies and aired on June 21, 2008.
Show-notes:
Doctor Who © The BBC
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This podcast has really taken a dive if you know what I mean.
This week we kind of mildly tortured ourself with the original Ocean’s 11. Like, the one that was released in 1960. Not the new one, the good one, the Steven Soderbergh one. We watched the old one, the Frank Sinatra/Dean Martin/Sammy Davis Jr. one. It’s Ocean’s 11, released on August 10, 1960.
Show-notes:
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Kind of like unlimited Gan but way more dangerous and unhinged.
This week somebody other than Christ Boucher or Terry Nation titled the script, because it’s got like 4 words. Thats 3 words more than the average on this show, so let’s give Blake’s 7 a big round of applause. It’s Voice from the Past, written by Roger Parkes, and aired on March 13, 1979.
Show-notes:
Blake’s 7 © The BBC
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So, Mr. Ant, what qualifies you for this position?
This is one of the best Doctor Who stories of all time according to Dylan, and a very good one according to Kiyan, and basically all of fandom really. Most people like this, so if you don’t you’re obviously wrong. Just flat out wrong, that’s the nature of the game unfortunately. It’s Midnight, written by Russell T. Davies and aired on June 14, 2008.
Show-notes:
Doctor Who © The BBC
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How long has it been since I last lost The Game?
Guess who’s back? Back again. Terry’s back. Back again. It’s Terry Nation returning to write for the show once again, with a script he probably actually turned in on time for once. It’s Countdown, written by Terry Nation and aired on March 6, 1979.
Show-notes:
Blake’s 7 © The BBC
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Unlike books, however, River is actually useful.
Every once in a while we deserve to take a digression, I think. A nice little trip down the yellow brick road so to speak. Of course, it just so happens that this digression is all of the episode, but you know, whatever! It’s Silence in the Library & Forest of the Dead, written by Steven Moffat and aired on May 31 and June 7, 2008.
Show-notes:
12:36 David Bowie had liver cancer.
Doctor Who © The BBC
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Don’t you get any ideas, Hollywood.
This week’s episode is a doozy. It’s a weird one, it’s kind of uncomfortable, and we were really weird and woozy because it was midnight when we started recording this. Which means it’s one of the funniest episodes we’ve recorded. Maybe. It’s Hostage, written by Allan Prior and aired on February 27, 1979.
Show-notes:
Blake’s 7 © The BBC
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Look out! A Wasp!
At the end of this recording session, around 1 in the morning, after recording Zenith, we both walked to our cars. We looked at each other, dead inside, dead on the outside. Just dead all around. “Never again.” It’s The Unicorn and the Wasp, written by Gareth Roberts and aired on May 17, 2008.
Show-notes:
Doctor Who © The BBC
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If Travis doesn’t wear a tuxedo in this show I’m rioting.
One of these two people is a killer. A silent killer, which if you think about it is really the only kind of killer they could be if they’re on an audio based podcast. Because they have to talk all the time, you know? Anyway, it’s Killer, written by Robert Holmes and aired on February 20, 1979.
Show-notes:
Blake’s 7 © The BBC
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I was finally there, 200 episodes and still no one cares.
Turns out both Kiyan and Dylan have daughters, I mean, who would have guessed that? They have their own podcast, it’s called “She’s Your Doctor” or something like that. You can tell I’m making this up as I go along really. It’s The Doctor’s Daughter, written by Stephen Greenhorn and aired on May 10, 2008.
Show-notes:
Doctor Who © The BBC
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