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Perhaps we need to rethink our goals for this podcast…
This week we remind everyone that Nokia totally collapsed. That’s right, that really big phone manufacturer totally ruined themselves. It was no one’s fault but their own. It’s 42, written by Chris Chibnall and aired on May 19, 2007.
Show-notes:
Doctor Who © The BBC
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Kind of like bring your kids to work day: bring your kids to cult day!
This is a classic 80’s trilogy, and if you’re wondering why we did it now, well Steven Spielberg has that movie coming out. You know, Ready Player One. And that was the only thing we could come up with in March to capitalize on. The only thing we wanted to capitalize on really. It’s Indiana Jones, released in 1981, 1984, and 1989.
Show-notes:
Also check out theraider.net, pretty good site for IJ info, and we used a lot of the info from here. Not sure if it’s all true though.
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As opposed to a limited cosmic Gan?
Gan is the focus of this week’s episode. Get ready, because that basically means for the next 13 he probably won’t even get a speaking line. That’s how it goes, there’s 13 episodes in a season, one focusing on each crew member (that makes 7 if you include Zen) plus then like 5 more for Avon (for obvious reasons) plus an extra for Blake. It’s Breakdown, written by Terry Nation and aired on March 6th, 1978.
Show-notes:
Blake’s 7 © The BBC
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Only on Doctor Who will you hear “wet” bone cracking. Ew.
You might say that the man who wrote this story is a greenhorn. You know, like a guy who is new or inexperienced at the task at hand. No? Never mind. It’s The Lazarus Experiment, written by Stephen Greenhorn, and aired on May 5, 2007.
Show-notes:
Doctor Who © The BBC
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And that’s how we got the newest hit superhero movie.
Why would anyone in their right mind name their secret government project after the person who is absolutely key to the project working? It’s supposed to be a secret project. Maybe I’m reading too deep into this. It’s Project Avalon, written by Terry Nation, and aired on February 27, 2018.
Show-notes:
Blake’s 7 © The BBC
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So many hoovers, so little time.
And now, Martha Jones in her first two parter. Featuring the Daleks, because bloody hell do the Daleks ever not appear? Can you imagine if they named an episode “Mystery of the Daleks” and then didn’t have the Daleks appear at all? The mystery is, where are they? It’s Daleks in Manhattan and Evolution of the Daleks, written by Helen Raynor and aired on April 21 and 28, 2007.
Show-notes:
Doctor Who © The BBC
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The best Jane Austen rewrite is the one that features Kerr Avon.
This episode is pretty beloved. Not this episode of Blake’s 7, this episode of Zenith. It’s basically all down hill from here is what I’m saying. It’s Duel, written by Terry Nation and aired on February 20, 1978.
Show-notes:
Blake’s 7 © The BBC
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Forget being angry, I’m all about being sad now.
Gridlock is unfairly maligned. I’m putting that opinion here in writing, so you can never argue that I’ve said it, even if the audio for this episode gets garbled and never released. Or corrupted by the forces that be (looking at you Russell T.) It’s Gridlock, written by Russell T. Davies and aired on April 14, 2007.
Show-notes:
Doctor Who © The BBC
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I think I might have used this as a title before…
I think Terry Nation is out of ideas. Just flat out, like, I’m sure he just kind of read the back of his orange juice in the morning and tore the label off to give to Chris Boucher. It’s Mission to Destiny, written by Terry Nation, and aired on February 13, 1978.
Show-notes:
Blake’s 7 © The BBC
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Inn-keeping is a very old and difficult profession.
This week Trust Your Doctor gets super spooky… in February. Why not, I guess, why not just release scary things in February? Nothing says you have to release them in October. It’s The Shakespeare Code, written by Gareth Roberts, and aired on April 7, 2007.
Show-notes:
Doctor Who © The BBC
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