deep electronic music

early psychedelic breakbeats and techno

cover art work by: http://bewegungsbild.net/

Tracklist:

1. Future Sound Of London - Papua New Guinea (Translation 1 - 12 Original)

2. D-Shake - East Of Eden

3. Lhasa - The Attic

4. Shake Inc - Rubb-A-Dubb

5. Resistance D - cosmic love

6. Quazar - Dragonfighters

7. Neutron 9000 - Ki-Oha Girl

8. The Irresistable Force - Space Is The Place (Intergalactic Ambient Mix)

9. Neutron 9000 - Wich Way Are You Going?

10. Spacecube - Dolphins

11. Nexus 21 - Self Hypnosis

12. Tz4 - E.S.P.

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:

www.minmon.de/category/base/dates/

And - I really appreciate feedback on my mixes!

Thanks!

Thanks!

deep house; tech house, house n bass

House'n'Bass Dj Mix

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:

www.minmon.de/category/base/dates/

And - I really appreciate feedback on my mixes!

Thanks!

Thanks!

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:

www.minmon.de/category/base/dates/

And - I really appreciate feedback on my mixes!

Thanks!

Thanks!

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:

www.minmon.de/category/base/dates/

And - I really appreciate feedback on my mixes!

Thanks!

Thanks!

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:

www.minmon.de/category/base/dates/

And - I really appreciate feedback on my mixes!

Thanks!

Thanks!

Https://www.facebook.com/pages/Gaya-Kloud/123751144383209

Disco, the mother of house, is and was one of my largest influences for all what I play as DJ. I love so much the every time overtly positive attitude. If I had a wish, I would beam me to NY in the early 70ies in the club "Leveticus", or in the paradise garage ;-).

I selected here my best underground disco maxis. It was sometimes really hard to mix this partially hand played drums, but I hope you can enjoy it!

Feedback is welcome.