deep electronic music

Tracklist:

1. Altinbas x Cirkle - time in motion

2. Parallel9 - Quantico

3. Wax -80008B

4.Fadi Mohem - Reactant

4. Demi Angelis -Imaginary Voyage

5. Deluka - Injection

6. Altinbas - Adda

7. Porn Swored Tobacco - Techno Story139 bpm remix

8. Fadih Mohem - Transition

9. Ø [Phase] - Human Error (Stef Mendesidis Remix)

10. Answer Code Request - CRS 21

11. Lewis Fautzi - Symtomatic - Rödhead Remix

12. Altinbas - Sunken Garden

13. Roger Gerressen - Bloodflow A

14. RDS - 2312

15. Radio Zahn - Twilo

16. Frankie Bones - They nail you

Tracklist:

1. Brenno Dellavaccia – Old Tapes

2. Grad_u – Betelgeuze – Oracy’s Fratio Resolutio Retake

3. Deep Chord – Glyphs

4. Modernism – Formless

5. Evod – T235

6. Reste – Chordiology – Luke Hess Remix

7. Al Wootton – Wychwood Dub

8. Stoma – Modern Hpnosis Sampler 002

9. 777Hz – Hiss Is Bliss ft. Linval Thompson

10. Bukkja & Frenk Dublin – Modern Hypnosis Sampler 002

11. Cyclic Random – Petrol

12. Lakefkt – Oceana

13. Modernism – Formless 0,3

14. cv313 – Stained Glass A1

15. M6 with snippets of Maurizios Domina

Alle der diesjährigen Kalender-Mixe finden sich hier: https://www.kraftfuttermischwerk.de/blogg/tag/ak2022/

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:

www.minmon.de/category/base/dates/

And - I really appreciate feedback on my mixes!

Thanks!

Thanks!

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:

www.minmon.de/category/base/dates/

And - I really appreciate feedback on my mixes!

Thanks!

Thanks!

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:

www.minmon.de/category/base/dates/

And - I really appreciate feedback on my mixes!

Thanks!

Thanks!

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:

minmon.de/category/base/dates

And - I really appreciate feedback on my mixes!

Thanks!

Thanks!

Live recorded vinyl set from the beloved Meeresrausch Festival, Kabachel Kabuff Floor

https://soundcloud.com/user-588254820/podcast-xvi-gaya-kloud

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:

www.minmon.de/category/base/dates/

And - I really appreciate feedback on my mixes!

Thanks!

Thanks!

In 1991, I began my journey as a DJ, initially in Potsdam and later in various clubs in Berlin, although there are so many venues that I can't even recall them all. My time spent at Delicious Doughnuts, where I had a six-year residency, had a profound impact on me. Since then, I've developed a preference for playing sets that span at least four hours.

Throughout my career, I've witnessed a great deal and consistently strived to uphold the values of the early 1990s. I've made a conscious effort to steer clear of any form of commercialization of techno and house, and I've never been fond of the DJ cult phenomenon. Instead, I've remained focused on the music itself, supporting emerging talents and ensuring that electronic music remains connected to funk, jazz, soul, and contemporary art.

And if you're convinced by my sound then it would be great if I see you at one of the irregular gigs somewhere in Potsdam or anywhere. Please check:

www.minmon.de/category/base/dates/

And - I really appreciate feedback on my mixes!

Thanks!

Thanks!