While we often touch on the contemporary songs of our own and subsequent generations in the show, we also like to drill into the performers and sounds that contributed to our musical heritage. The foundation of America’s music is not just a single flavor. It is a melting pot of many from all corners: the British Isles, the African continent, the islands of the Caribbean, and points south and north. The resulting harmonies, topics, and musical celebrations have further woven themselves into the fabric of our culture. This week’s show leans on some pieces that were suggested by a listener and this allowed me to take liberties when digging a bit deeper for the show. We’ll hear from Pete Seeger, The Million Dollar Quartet, Buck Owens, Alison Krauss and Mississippi Fred McDowell. We’ll also take in the American Songbag’s In The Pines and then proceed down the river and over the hill in the show this week.

This week we’ll take some time away for a celebration of Americana sounds from every corner. It’s a mixed bag of jazz, blues, country, rock, and everything in between in another of our free form eclectic romps here on Deeper Roots. Count on some wild swings and some quiet moments reserved for the corner booth in the show today. Aretha, Cat Power, Etta Jones and Gale Garnett are some of the female vocalists that we’ll feature this morning. We’ll also visit that ‘boulevard of broken dreams’ with Esquivel, some lighter instrumentals from Ethel Smith and Herb Alpert; classic softer side Americana from Chris Isaak and Pokey LaFarge and the polar opposite from Creedence and BB King. What a way to blast on into 2025. Join Dave Stroud as he begins yet another year with the promise of doing the right thing...always. 

It’s our annual look back paying respect to some of the greats who we lost this past year. We find ourselves saying goodbye to a number of artists who contributed in their own way to America’s popular culture…in music. I’ll be sharing the names of the many contributors from the halls of country, jazz, pop, rock, and beyond. Time demands a filter which is based on direct lines of roots descent; either by song selection, expression of a genre, or by Americana popular cultural influence. I’m going to try to keep the talk to a minimum so I can catch you up on many of the artists…and I’m also going to be limiting some of the music to 30 second clips because, frankly…this was another year of loss. ….and I’m sure there are more of the obscure that we just couldn’t fit into our roll call. Tune in for a journey through the past century of America’s music on community radio for West Sonoma Country, streaming to all of planet Earth at the same time on kowsfm.com/listen. We’d love to have you.

Time keeps on slippin’, slippin’, slippin’ into the future…and it’s tickin’ tickin’ tickin’, too. Steve Miller certainly summed it up and our theme this week is all about the passing of time, events that take place in time, biding our time, and recalling a time. We’ll be making a swing through a number of genres and performers including Little Joe, Booker T., Bobby Bare, Evie Sands, Tom Waits and Harry James. But there’s plenty more including classic country, mid-to-late century rock n’ roll, folkie business, and the sweet torch songs that take us back. We’ve chosen to forego the Christmas celebrations because, for the most part, we can hear it elsewhere and the season is a short one with some desperation on the doorstep. Tune in for a journey through the past century of America’s music on community radio for West Sonoma Country, streaming to all of planet Earth at the same time on kowsfm.com/listen. We’d love to have you. 

On this Friday the 13th, our show takes on the constructs of heaven and hell as its chosen theme. Songs that explore the debatable and sometimes fantastical concepts that, while they vary significantly across cultures and tradition, still remain human constructs rather than universal truths. Or are they? I sure don’t know and I doubt that you do. They have no doubt been formed as symbolic or metaphorical ideas formulated to help humankind find a straight path to that ‘great morning’…or something like that anyway. We’re not here to practice heresy or blasphemy, only to observe…and there’s plenty of music to call this theme one of mixed metaphors. Tune in for some Sister Rosetta Tharpe, Eric Clapton, Solomon Burke, Bill Neely and a whole crowd of other sinners and saints pounding out the concepts of heaven and hell in song with melodies both fierce and solemn. Tune in for quite the time.

Soul music’s roots come from the urbanization and commercialization of rhythm and blues in the late fifties and early sixties. Young black musicians, often nurtured in black churches, enjoyed and listened to R&B sounds and began a fusion of R&B, blues and gospel that would later take on the moniker “soul music”. The term “soul” had been used in African American culture, particularly among musicians, to emphasize the feelings of power, spirit and creativity found in its culture. Regional acts and labels took this genre into different directions that included, among other things, vocal interplay, gospel rhythms and themes that were translated from the sacred to the secular, all with mix heavy on standard rock or brass rhythm sections. The blend and variety brought out the contrasting tones of grit and pop-infused sounds. From Sam Cooke to James Brown and Etta James to Brenda Holloway…we’ll take a journey through the rise of soul music.

The 1950s were an incredibly vibrant decade for music, clearly a reflection of a post-war energy and relief. Urban jazz, the bright lights of broadway, and the crooning magic moments that lept off the silver screen were a paradox to the golden age of country music, the passionate rhythm of swing and R&B and, of course, the new audiences celebrating youth at sock hops, malt shops and sleepovers. It was an age of celebration and discovery if you were young; an age of culture shock if you weren’t. This week on Deeper Roots, we’ll tiptoe through the sounds of Dave Brubeck, Dion, Johnny Cash, Chuck Berry and a host of others who planted their flag in the decade of the fifties. An unusual playlist for sure. Drop on by and try to get past the fact that Black Friday will soon be over and holiday madness gets into full swing. 

The past century’s puritanical interlopers, better known as the ‘thought police’, have had their way with music. And we're not talking about just the lyrics (which will no doubt be the source of most of the songs in the show today)…whether that be the sound of the saxophone or Link Wray’s sinister fuzz and feedback…telling us how to think or suggesting that your children would be swayed to the dark side due a mention of Susie getting home past curfew. It’s an age old problem. It’s really stinkin’ thinkin’ if you’d have asked Frank Zappa. And someone did and summarized his opinions thusly: “Bad facts make bad law, and people who write bad laws are, in my opinion, more dangerous than songwriters who celebrate their sexuality.” All the songs this week suffered from some form of censorship, whether corporate or governmental. And we’re going to play them…damned be the fools. 

There’s hope in music. And if we need something to carry us forward over the coming years it’s hope. So we’ll take all we can get with all the music we can get. This week’s Deeper Roots show takes us through a blend of genres, making a free form journey across the landscape of America’s music from the past century. We’ll bring you Cannonball Adderley right alongside Hank Thompson and The Neville Brothers, The Doors, Patsy Cline and Mink Deville to start. Dave Stroud’s done some scouring through those dusty digital archives for well- (and little-) known gems with stories and ballads. He’ll be taking you to where country meets soul, jazz meets boogie woogie and where there’s an unlikely fusion of reggae, folk, and zydeco. Topics include wedding days, jiggers of gin, honeydrippers, and the topic of Texas and some big blue diamonds. Tune in this week. Take your mind off the grifters and haters that have polluted the pond. 

 This week it’s a rock-a-beatin’ boogie extravaganza. Vintage tracks from the rocking archives of the fifties and sixties, all meant to make you feel good. Hand-picked sizzlers and twenty flight scorchers set alongside some of the more familiar sounds of the Everlys, The Dixie Cups and Shirley & Lee. First, second and third helpings of some of the very best of the day including tributes to Kansas City, Caldonia, Peggu Sue, Jim Dandy and a host of others, all brought to you from the sock hop to the rent party. Tune in for some LaVern Baker, Elvis, Nappy Brown, Wynona Carr and Big Joe Turner. They’ve all got a place in this week’s show here on Sonoma County Community Radio in yet another Deeper Roots barn burner. Hope you can join us and spend two hours leading off with Boston’s favorite son, Freddy Cannon. All of this coming your way from the outskirts of the Cherry Street Historic District of downtown Santa Rosa. Will there be reason to celebrate? We’re countin’ on it.