Deeper Roots Radio

The downstream wave of sounds that flooded the charts seemed endless in the year 1960. As was exhibited in last week’s Deeper Roots exhibition of ‘also rans’ from that year, it was a very, very crowded field. That field was spread far and wide across genres and levels of production, songwriting and performance quality. We take on that same strata this week in the show. More teen crushes, tragedies, soulful exchanges and instrumentals that bore earworms galore. That’s what we’ve got in store with performances from Fats to Jackie, Smokey to Etta, the Burnette Brothers and Ricky, Dean Martin, Freddie King and Linda Laurie…all giving it their all and doing their very best to crawl to the top of their respective charts. We’re getting ready for a wild Sunday night here in Santa Rosa, celebrating KOWS Community Radio at the Barrel Proof Lounge in downtown Santa Rosa. Hope you can make today’s Deeper Roots show and Sunday’s benefit!

 We’re at it again! Excavations below the crust of some pretty simple-minded teenage pap that seemed to occupy the Billboard Top 100 in the year 1960. Marketers had found the right blend of country, rhythm, pop, sentimentality and rock and this led to a churning out of as much and as they could as fast was possible. The result was a mixed bag:  quantity over quality in most cases. We call it spit-balling these days. We’ll dig into the substrate of popular music that did not make the Top 40, and in some cases, the Top 100. We’ll hear from Wanda Jackson, Billy Bland, Donnie Brooks, Johnny Preston, Esther Phillips, and a few dozen others in this week’s show. Not withstanding what we do here, we have to consistently remind ourselves of the classic Tony Soprano quote: “’Remember when’ is the lowest form of conversation.” So, we’re mining for the ones we don’t necessarily remember. And the big news? It’s a rare two-parts-over-two-weeks extravaganza. Hope you can join in 

Spring is knock-knock-knocking…and our Supreme Court is push-push-pushing back on the idea of Emperor Grandpa McFuddlepants. And why not? They created it. But here, we’re busy painting the town with hope and there’s a sense that there’s something in the air as this week’s show leans on the fabric of Americana sounds to get us through yet another week of hate speech from Pennsylvania Avenue. We’ll apply an salve of sweet sounds from Jerry Garcia, Jackie Wilson, Townes Van Zandt, Billie Holiday, and that late local luminary and bard about town Dan Hicks in this week’s show. It’s a free form dance we’re taking on so I hope you make time or, if you can’t catch us live on KOWS, you can catch up on our archives posted on Podomatic at https://deeperroots.podomatic.com

There’s an echo in the well of Americana and it reverberates from tradition and some of the early songsmiths and blues masters who delivered the blues proper through the depths of the past century of America’s music. We’ll be pulling some of the classic blues covers of songs composed by just a small collection of the great blues masters: Charley Patton, Muddy Waters, Blind Lemon Jefferson, Lonnie Johnson, Blind Blake and beyond in this week’s episode. There is seldom enough time to make a dent in only two hours but we’ll do our best with covers from some of the inheritors like BB King, Carl Perkins, Bob Dylan, Jorma Kaukonen and a couple dozen others. We’re excavating some deeper roots this week and then tilling the airwaves with freshly turned songs of the earth; a landscape of blues cutting a deep swath across the musical landscape of the past 100 years. Celebrating blues and those who brought it home this week on KOWS Community Radio. 

Put another nickel in that nickelodeon ‘cause rhythm saved the world. This week on Deeper Roots we’re spinning up songs about the jukebox, hit records, little bitty records, disc jockey pleas, and swinging syncopated rhythms from across the past century. That’s right, we’re taking a trip across ninety years featuring jazz from Jimmie Lunceford, country from the Sons of the Pioneers, gospel from the Chuck Wagon Gang, and swinging send-ups from Louis Armstrong, NRBQ, Slim Gaillard, and The Sensations. Well, you can also count on more from the usual suspects in this week’s thematic celebration of the very best of Americana. Whether that’s reaching out to the jukebox, the DJ or that record hawker…we’ve got two hours of rhythm here on KOWS Community Radio. Spend your time with music, not your hard earned dough on this day of resistance.

We're revisiting a show from 2019 and it just happens to be our first show in the new Santa Rosa studios. It is one that celebrates that Old Chisholm Trail and other prairie passages that resemble all things that follow those romantic icons whose life on the range was less than what their songs usually embellish. In the western sunsets where John Lomax first went out in search of the ‘cowboy song’, we’ll explore more enlightened performances from the silver screen to the deep folk traditions that have become so laminated with romance that it’s hard to see the images beneath. This week’s show will take us from Carl T. Sprague, the original cowboy crooner, to Johnny Horton, Fess Parker, Rex Allen, and Roy Rogers. The music is sometimes sappy (Rick Nelson’s My Rifle, My Pony, and Me), sometimes light (Roy Rogers’ My Chickashay Girl), and other times full of storytelling and history. So many performances to light up the evening sky…just before dusk…just before that ceiling of stars appears in the night sky.

Country, gospel, and rhythm and blues are the major arteries that flow to the heart of Americana musical traditions, each influencing the other through shared themes of storytelling, emotion, and spirituality. Gospel’s uplifting harmonies and spiritual fervor inspired both the heartfelt narratives of country music and the soulful expressions of rhythm and blues. Similarly, rhythm and blues infused gospel energy into secular music, while country music borrowed melodic and vocal elements from both genres. The "golden age" of these genres is often considered to be the mid-20th century, roughly the 1940s through the 1960s, when their innovation and cross-pollination laid the groundwork for modern popular music, including rock and roll. This week on Deeper Roots we’re going to flip through some classic old records (as we love to do) and highlight the morning with performances from the likes of Otis Spann, Merle Travis, Sue Foley, Sturgill Simpson, and a few dozen others.

 He was a member of Nashville’s A-Team. He invented the electric guitar ‘fuzz’ effect by accident in a Marty Robbins recording session. He played on some of the most recognizable hit songs and landmark albums; not just country but rock, soul, folk, country rock and released some jazz guitar albums of his own. You can hear his work day in and day out: the Spanish-style acoustic work on Marty’s El Paso, the opening and unforgettable lick on Roy Orbison’s Oh Pretty Woman, plus dozens upon dozens more. He was one of the most sought after session men in the industry. Oh, and his jazz work with Mancini, Hirt and Fountain were followed by a gig as session leader for Vanguard Records’ album releases of Joan Baez, Buffy Sainte-Marie and Country Joe. If there’s a word that goes a step beyond prolific, it describes Grady Martin. Join us for a show that celebrates the legend. 

A sleepy time themed collection this week as we take a deep dive into classic sounds from the past and present, all with a blend of sentiments we hold close as midnight approaches. We’ll have some old doo wop and early rock chestnuts from Jesse Belvin, The Fleetwoods, The Valentines and The Spaniels with just the right amount of rock, R&B and country. That means a little bit of Fats Domino, some rockabilly from Charline Arthur and Sonny Burgess, middling pop from Doris Day, Jimmy Durant and Dean Martin in store. Little Jimmy Dickens, Milton Brown and Swamp Dogg will also fill the air with country and blues. Friday mornings are the time to tune in for a fresh dose of America’s music from the past 100 years hear on KOWS-LP, Occidental, streaming to all of Planet Earth on kowsfm.com/listen. Be sure to install the Radio Rethink app on your Apple device and look us up. We’d be glad to have you.

It was without question a natural progression. All of the attributes that country inherited from gospel, blues, and jazz resulted in what amounted to competition in the charts (and in some mid-century cultural clashes). Although The Beatles had suggested a kinship with mid-sixties tributes to Buck Owens and Chet Atkins, the only comfortable way to make the marriage work was to have it come from other directions…specifically from cultural prods of Nudie suits, coupled with folk and country nudges, and the inevitable respect for the music. Gram Parsons’ influence on the late sixties rise of something they called ‘country rock’ is easy to find but Dylan’s John Wesley Harding album from 1968, The Byrds’ Sweetheart of the Rodeo, and Leon Russell’s alter-ego Hank Wilson opened the doors to a sound that swept the charts. We’ll hear some originals, covers, and a whole lot more in this week’s Deeper Roots. Hope y’all can join us.