Degens Andy S and Brandon Bombay are kind of a big deal as they sit at their news desks to discuss one of the most oft-quoted comedies of all-time, 'Anchorman.' Bombay escalates the episode quickly by telling an opening story involving hooking up with a coworker he most definitely should've stayed away from. Then the boys find themselves trapped in a glass box of emotion while talking about a film that basically shaped the comedic stylings for a generation of moviegoers and frat bros alike. Highly improvised, and somehow maintaining a PG-13 rating, this Adam McKay classic is bolstered by a never-better Will Ferrell, who is flanked by comedic acting geniuses such as Paul Rudd and Steve Carell. Among those titans, Christina Applegate's straight man performance as Veronica Corningstone is the jazz flute solo that brings the whole piece together. It's ludicrous, over the top, and the sort of thing that sticks with you well after it's over — both the movie and our episode. Make sure you check it out till the end cause 60% of the time it's great, all the time. 

Degens Andy S and Brandon Bombay go extraterrestrial as they mostly talk 'Aliens'....mostly. Andy is the first one in the nest as he recalls the time he had a boozy lunch at work, and ended up using a power loader-type vehicle that ended in disaster. Then the fellas talk about one of the great movies of the '80s, and one that is among the pantheon of great sequels. Bolstered by James Cameron's maniacal attention to detail, the film has incredible world-building, not just with the xenomorphs and Weyland-Yutani Corp design, but his ability to flesh out characters. Of course, Sigourney Weaver cements herself as a bonafide bada** star, but she is surrounded by Michael Biehn and his loveable group of grunts. Toss in some all-time practical puppet and animatronic work with the aliens, and jaw-dropping action set pieces, and you have a classic. The boys pepper in some stories involving their times watching movies in the franchise — including a run-in with the cops as a teenager — and then it's game over man, game over. 

Degens Andy S and Brandon Bombay decide to live deliciously while wrapping up Spooky Sleazon with a modern horror classic, 'The Witch.' After tending to his chores, Bombay opens up the episode by telling a story when he received a slew of sultry snaps from a girl who practices Wicca and it somehow ended horribly. Then the boys jump into the movie that went on to define A24 horror — back when that meant something — and discuss the epitome of a slow burn horror done right. There's talk of Robert Eggers' impressive craft and attention to detail that makes him an occult Wes Anderson, for a movie that would seem a slog but breezes by and culminates in a bonkers third act. Of course the fellas have to give some love to Anya Taylor-Joy's breakout performance, and Ralph Ineson's haunting voice. Don't worry, they also spend sufficient time praising the GOAT goat performance from Black Phillip, and bemoan the fact he wasn't given zany 'Leprechaun'-esque zany sequels.

Degens Andy S and Brandon Bombay continue Spooky Sleazon by talking about one of the most popular horror movies in recent years, 'Weapons.' Andy starts off the episode by talking about the cop character who has an AIDS scare after getting pricked with a needle, and how it reminded him of a scare of his own. Then the fellas set their clocks to 2:17 to discuss a genre flick with great production value, and almost uniformly wonderful performances that ultimately left the Degens feeling cold. They gripe about how long this horror film takes to heat up (nearly an hour and a half) and how the lunacy in the last 30 minutes doesn't make up for it. The boys then do their best to pitch how they would've tweaked the story structure, all while sharing crazy stories from their past, and intense horror movie upbringings. This episode is about as bonkers as Aunt Gladys' makeup techniques. 

Degens Andy S and Brandon Bombay get groovy baby, during Spooky Sleazon as they discuss the indescribable classic, 'Evil Dead II.' Andy kicks it off telling a story about the time he and friends tried to channel their own Ash-like maybe by having chainsaw battles, and it turned out about as well as reading a passage from the Necronomicon. Then the fellas make an argument for this being possibly the greatest film of all-time as it starts as a one man show that blends live action Looney Tunes-style comedy with truly unsettling moments. Body parts get severed, blood pours from every conceivable opening, and it's all held together by the undeniable charisma — and classic Hollywood good looks — of Bruce Campbell. The 'Evil Dead' franchise not only reshaped horror, but the reverberations of its impact changed comic book movies forever as director Sam Raimi would later be given the keys to one of the biggest franchises of all-time. Check out the ep, and you'll be having a burning in helluva good time. 

Degens Andy S and Brandon Bombay ask, 'What's your pleasure, sir' before discussing a movie that is a fulcrum in the Degen Cinema canon, 'Hellraiser.' Bombay starts it off by recalling when he first opened up the box to cheating in his youth, and how it involved a summer of watching this on repeat as a teen. Then the boys talk about a movie that was a mind boggling intro into incredible gnarly practical FX, and BDSM, which led to their minds being forever warped at far too young ages. It was difficult to grasp Uncle Frank being so good in bed that it transcended reality and transfixed Julia, who gladly humped a reanimated corpse. Packed with salaciously disturbing imagery, and jaw dropping gore this horror masterpiece is from another era when folks actually flocked to the multiplex to watch this filth. The incredible FX and creature design helped make Pinhead a pop culture icon, and the movie goes into bizarro overdrive once he and the Cenobites truly make their presence felt. It may be filled with some stilted performances, and a perplexing UK-based '80s New York setting, but that strangeness only adds to how disorientingly deranged this masterpiece is. Make sure you listen to the full episode, as "We have such sights to show you."  

Degens Andy S and Brandon Bombay just got off a plane because they had a scary premonition, and then decided to talk about the first installment in a surprisingly hilarious horror franchise, 'Final Destination.' Bombay starts off the "I'm never gonna die" teenage hubris discussion by recalling a running joke he and a friend had in high school about memorial services for fellow classmates who met a grisly end. Then the fellas safety-proof their homes before talking about the film with a premise that was initially mined from an X-Files spec script. This installment in the franchise is almost quaint compared to how ludicrous it would become, but all the tenets are there of wild Rube Goldberg-style deaths, to gut busting lines about youngsters hoping to cheat death. The boys recap their favorite deaths, including the "You can just drop f***ing dead" bus scene that features a Nine Inch Nails song about reaching your final destination. Plus, they recap times in their youth where they narrowly avoided death, and try desperately to make sense of Ali Larter's hot girl goth-welder character. This episode will leave you laughing in the face of death. 

Degens Andy S and Brandon Bombay pick up some cans of silly string and pizzas to enjoy a wild night talking about 'Big.' Andy kicks things off by telling a story about a one night stand that ended abruptly after the girl walked into his man-child cave room adorned that showcased his affinity for comics. Then the fellas decide to give another beloved child's movie the Degen treatment, and discuss Penny Marshall's 1988 film. This starts with the guys pitching gritty remakes, and imagining how the story of a child turning into a man overnight, and heading to downtown New York in the '80s would work out for him in the real world. Afterwards, they get to the cherished coming-of-age romp which was really just a nearly two-hour showcase for Tom Hanks' star potential, as he hams it up. Sure, his depiction of an 11-year-old interacting with adults is more reminiscent of a toddler, but the film does nail the fact of young guys throwing their friends under the bus to get their hands on some boobies. 

Degens Andy S and Brandon Bomabay ask to use your guyses phone so they can get some chapstick and talk about the 2004 comedy gem 'Napoleon Dynamite.' Bombay remembers growing up with a kid who lied about his summer exploits like Napoleon telling classmates he killed wolverines. Then the boys strap on a pair of moon boots to discuss a flick that was a genuine cultural phenomenon. Set in Idaho in the 2000s, but steeped in '80s nostalgia the movie is the definition of specificity breeding universality. Which leads the guys to talk about their school cafeteria, and how tots not only rock, but are the perfect food fight weapon. Of course, besides the eats, they need to mention Kip being the man and pulling babes off the internet in the pay-per-minute internet era. Speaking of women, they have to mention Pedro and his family which includes a hot chola sister, and hard nosed cholo cousins that have his back. Perhaps the unsung star is Uncle Rico who maybe can't toss a pigskin over a mountain, but has the greatest on-camera steak throw of all time. The episode closes, as it should, discussing Napoleon's killer dance moves that he not only performs in moon boots, but without breaking character. So knock it off, get yourself a dang quesa-dilla, and check this one out. 

Degens Andy S and Brandon Bombay skip fourth period to go trip off some H.F.S. before talking about '21 Jump Street.' Andy gets the ball rolling by talking about cops who peaked in high school, and how he had a beef with one that led to a wild altercation and a restraining order. Then the boys are given the assignment by their angry yelling police captain to talk about one of the funniest movies of the 2010s. They kick it off by discussing Channing Tatum's loveable himbo/dummy character, and how much the guys appreciate that the movie addresses how handsome he is in that setting. There's also a heated debate about dyed blond hair vs frosted tips, and living in the Slim Shady era. Plus, they mention how this movie features one of Ice Cube's best roles, and how his hard exterior persona is perfect for comedy. Of course, they reminisce a bit about high school, and the use (or overuse) of acronyms to name the trendy chemicals of the time.