Recording of DJ Koolt's set at the Selectors stage during Dekmantel Festival 2025.

Recording of HUNEE's set at the Selectors stage during Dekmantel Festival 2025.

Recording of Sugar Free's set at the Selectors stage during Dekmantel Festival 2025.

Recording of Satoshii Tomie's live set at the Selectors stage during Dekmantel Festival 2025.

South Africa's DJ Lag is to gqom what Frankie Knuckles is to house. An early pioneer of the raw, minimal and bass-heavy electronic style since the 2010s, he has gone on to popularise it around the world with a wealth of solo EPs and high-profile collabs. Last year, he dropped his second album, The Rebellion, which ushered in a new era that embraced Afro tech, amapiano, drill and hip-hop, all having previously worked with the likes of Beyoncé and Tyla.

He played Dekmantel Festival back in 2022 and now makes an overdue entry into our mix series with a widescreen showcase of his musical world, including some unreleased tracks from himself. It's Afro-centric but roams from silky smooth and deep jams to crisp metallic steppers via warped dub, always with an empowering energy that makes you puff your chest and put your best foot forward.

Michelle emerged from the Uruguayan underground back in 2018. Since then, she's explored the sort of sounds that have made her homeland such a creative hotbed: stripped-back techno, electro and early tech house all collide in her tracks on the likes of My Own Jupiter, CABARET Recordings and, most recently, Element Of Impact. Though designed purely for dancing, they're rich with intriguing textural contrasts between steely metal surfaces, wonky acid lines and sultry synths.

Michelle only plays live, so this week’s mix is a raw, unfiltered one-hour transmission pulled straight from her machines. It’s a rugged ride that grinds through industrial tech, shadowy broken beats and deeper techno. The energy is relentless and the tension is palpable, as if intergalactic warfare lurks just out of sight. The pounding rhythms, strobe-lit grit and sweat-soaked intensity make this a masterclass in pressure and release that's alive, dangerous and keeps you right on the edge.

London-based Oblig's (@djoblig) sound is closely intertwined with the rich DNA of UK club culture. Bass, garage, grime and techno all influence his robust rhythms, whether he's going dark at 140 bpm or hypnotising with sleek techno. His label Obligated Records and regular shows on Rinse FM are extensions of that, as are his razor-sharp DJ sets across the world.

Hot on the heels of Volume 2 of his label's latest compilation, he's put together an hour mix that smudges the lines between his go-to genres. The selections are punchy and uptempo while twisting through mysterious late-night grime, kinetic club cuts and pneumatic bass workouts, all with a constant low-end pressure that keeps lips curled and heads nodding.

@philippapacho is like a musical Swiss knife: she has exactly the right tool for every occasion, from warm-ups to peak time to wonky afters. It was a long residency at Under Bron in her native Stockholm that equipped her with those skills, and since moving to Berlin, she's gone on to make her mark across Europe playing all forms of techno. Late last year, Pacho launched her own label Phorum Records as a further extension of her sound, and she also curates tracks and parties under the Positive Source banner.

This August, Pacho joins us at Amsterdamse Bos for Dekmantel 2025 but first serves up this deeply cerebral trip into Millsian techno. It's a high-speed selection of sleek and synth-laced sounds rich in narrative, be that mind-melting urgency, more dark and moody undercurrents or a sense of cosmic unknown. Utterly timeless and effortless classic, this is techno in its most futuristic form.

Brooklyn's evilgiane (@aloevine) is one of alt-rap's most respected figures. The sometime beatmaker for stars like Kendrick Lamar and ASAP Rocky is also the founder of the Surf Gang label and party collective whose experimental style collides drill, footwork, trance and trap into something new. He is a master collaborator whose lauded 2024 mixtape #HEAVENSGATE VOL. 1 saw him work with a range of next-gen talents while serving up an array of the sounds that have influenced him in recent years. Whether happy, sad, or something in between, evilgiane always knows how to best express himself in sound.

And he proves that once more with an hour selection for our series that lands just ahead of him playing a rare DJ set for us at Dekmantel '25. The mix taps into every nuance of his style, with swirling r&b vocals floating over crisp beats, psychedelic melodies smudged into ice-cold rhythms and distorted low ends landing heavy under mumble rap musings. It's a kaleidoscopic window into evilgiane's mercurial musical world, which is a place you will want to keep on returning to all summer long.

@fadimohem is right at the heart of contemporary techno. He brings his own twist on the classic sound - deep, rhythmic and atmospheric. He's a Berghain resident whose first contact with the genre came at the hallowed club, and since then, he has blazed his own trail on the most influential labels in the scene, including his own Mohem imprint. This year, he plays twice at Dekmantel Festival, once as part of WSNWG Live and once on the Radar stage.

Ahead of that, he has put together an exclusive one-hour live set comprised only of unreleased music. It's a masterclass in control that embodies just what you get from Fadi in the club: deep techno planted firmly on the floor but always going somewhere. As dubbed out low ends, glitchy textures and more tripped out melodies come and go, the tension ramps up while both body and mind stay locked.