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In 1967, the Beatles released a song about “a girl with kaleidoscope eyes,” but on today’s date in 1870, it was “a girl with enamel eyes” that was the subject of a ballet that debuted on today’s date at the Paris Opéra.
The ballet’s full title was Coppelia, or the Girl with Enamel Eyes, and its story-line was based on a fantastic tale by German Romantic writer E.T.A. Hoffmann, dealing with the mad toymaker Dr. Coppelius, his uncannily lifelike doll Coppélia and the complications she causes in the love life of a small Polish village.
The music was provided by a 30-something French composer named Leo Delibes. Coppelia was a great success, much to Delibes’ relief. He had been juggling several jobs in Paris, but the new ballet’s financial success allowed him to concentrate on composing as his main career from then on.
Delibes followed up on the success of Coppelia with another ballet, Sylvia, in 1876, and, in 1883, his opera Lakmé premiered at the Opéra-Comique.
Along with the famous ballets of Tchaikovsky, Delibes’ Coppelia is now regarded as the culmination of the 19th century Romantic ballet.
Leo Delibes (1836-1891): Coppelia; Lyons Opera Orchestra; Kent Nagano, conductor; Erato 91730
By American Public Media4.7
176176 ratings
In 1967, the Beatles released a song about “a girl with kaleidoscope eyes,” but on today’s date in 1870, it was “a girl with enamel eyes” that was the subject of a ballet that debuted on today’s date at the Paris Opéra.
The ballet’s full title was Coppelia, or the Girl with Enamel Eyes, and its story-line was based on a fantastic tale by German Romantic writer E.T.A. Hoffmann, dealing with the mad toymaker Dr. Coppelius, his uncannily lifelike doll Coppélia and the complications she causes in the love life of a small Polish village.
The music was provided by a 30-something French composer named Leo Delibes. Coppelia was a great success, much to Delibes’ relief. He had been juggling several jobs in Paris, but the new ballet’s financial success allowed him to concentrate on composing as his main career from then on.
Delibes followed up on the success of Coppelia with another ballet, Sylvia, in 1876, and, in 1883, his opera Lakmé premiered at the Opéra-Comique.
Along with the famous ballets of Tchaikovsky, Delibes’ Coppelia is now regarded as the culmination of the 19th century Romantic ballet.
Leo Delibes (1836-1891): Coppelia; Lyons Opera Orchestra; Kent Nagano, conductor; Erato 91730

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