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DeNOTE
DeNOTE episodes
- An Eighteenth-Century Viola RestoredInstitute of Musical ResearchAn Eighteenth-Century Viola Restored[PRESENTER] Peter CollyerPeter Collyer discusses the restoration of an Eighteenth-Century ViolaSupported by Institute of Musical Research, Canterbury Christ Church UniversityFilming and Editing: Colin StillExecutive Producer: John Irving© 2012 Optic Nerve0 min
- Mozart and the Classical ClarinetInstitute of Musical ResearchMozart and the Classical Clarinet[PRESENTER] Jane BoothJane Booth discusses the Classical clarinetSupported by Institute of Musical Research, Canterbury Christ Church UniversityFilming and Editing: Colin StillExecutive Producer: John Irving© 2012 Optic Nerve0 min
- Mozart and the Viennese FortePianoInstitute of Musical ResearchMozart and the Viennese FortePiano[PRESENTER] John IrvingJohn Irving discusses the Viennese Fortpianos of Anton Walter, and performs Mozart on a recent copy of one of Walter's instruments.Supported by Institute of Musical Research, Canterbury Christ Church UniversityFilming and Editing: Colin StillExecutive Producer: John Irving© 2012 Optic Nerve0 min
- An Eighteenth-Century Viola RestoredInstitute of Musical ResearchAn Eighteenth-Century Viola Restored[PRESENTER] Peter CollyerPeter Collyer discusses the restoration of an Eighteenth-Century ViolaSupported by Institute of Musical Research, Canterbury Christ Church UniversityFilming and Editing: Colin StillExecutive Producer: John Irving© 2012 Optic Nerve0 min
- Mozart and the Classical ClarinetInstitute of Musical ResearchMozart and the Classical Clarinet[PRESENTER] Jane BoothJane Booth discusses the Classical clarinetSupported by Institute of Musical Research, Canterbury Christ Church UniversityFilming and Editing: Colin StillExecutive Producer: John Irving© 2012 Optic Nerve0 min
- Mozart and the Viennese FortePianoInstitute of Musical ResearchMozart and the Viennese FortePiano[PRESENTER] John IrvingJohn Irving discusses the Viennese Fortpianos of Anton Walter, and performs Mozart on a recent copy of one of Walter's instruments.Supported by Institute of Musical Research, Canterbury Christ Church UniversityFilming and Editing: Colin StillExecutive Producer: John Irving© 2012 Optic Nerve0 min
- Mozart’s “Kegelstatt” Trio PerformanceInstitute of Musical ResearchEnsemble DeNOTE recorded a video documentary of Mozart’s “Kegelstatt” Trio for clarinet, viola and fortepiano at Finchcocks Musical Instrument Museum at Goudhurst in Kent in May 2012. The DVD, Wolfgang Amadeus Mozart “Kegelstatt” Trio K.498: An Eighteenth-Century Conversation, is produced by Optic Nerve Films. It contains a 20-minute documentary on the work, covering issues of performance practice, interviews with the players and a ‘behind-the-scenes’ insight into the rehearsal process; introductions to the period instruments; and a complete performance of the “Kegelstatt”.The “Kegelstatt” was Mozart’s only composition for the unusual combination of Clarinet, Viola (which Mozart played himself in the first performance) and Fortepiano. Ensemble DeNOTE perform the work using modern reconstructions of a Lotz clarinet and a Walter fortepiano, and a restored eighteenth-century viola. The documentary and performance explore the Trio as an intimate musical ‘conversation’ - an idealised form of chamber music making, in contrast to more typical concert-hall performance.Funding for the project was generously provided by The Institute of Musical Research, School of Advanced Study, University of London, and Canterbury Christ Church University.0 min
- Mozart’s “Kegelstatt” Trio DocumentaryInstitute of Musical ResearchEnsemble DeNOTE recorded a video documentary of Mozart’s “Kegelstatt” Trio for clarinet, viola and fortepiano at Finchcocks Musical Instrument Museum at Goudhurst in Kent in May 2012. The DVD, Wolfgang Amadeus Mozart “Kegelstatt” Trio K.498: An Eighteenth-Century Conversation, is produced by Optic Nerve Films. It contains a 20-minute documentary on the work, covering issues of performance practice, interviews with the players and a ‘behind-the-scenes’ insight into the rehearsal process; introductions to the period instruments; and a complete performance of the “Kegelstatt”.The “Kegelstatt” was Mozart’s only composition for the unusual combination of Clarinet, Viola (which Mozart played himself in the first performance) and Fortepiano. Ensemble DeNOTE perform the work using modern reconstructions of a Lotz clarinet and a Walter fortepiano, and a restored eighteenth-century viola. The documentary and performance explore the Trio as an intimate musical ‘conversation’ - an idealised form of chamber music making, in contrast to more typical concert-hall performance.Funding for the project was generously provided by The Institute of Musical Research, School of Advanced Study, University of London, and Canterbury Christ Church University.0 min
- Three Friends in Conversation - Mozart's "Kegelstatt" Trio, K.498Institute of Musical ResearchJohn Irving, Jane Booth and Peter CollyerJohn Irving, Jane Booth and Peter Collyer discuss realising an historically-informed performance of Mozart’s “Kegelstatt” Trio, K498Supported by IMR, Middlesex University, AHRC Research Centre for Musical Performance as Creative Practice, Royal Academy of Music, John Coffin Memorial FundExecutive Producer: Paul ArchboldEditor: Jane CleggDirector: Colin Still© Optic Nerve, 20130 min
About DeNOTE
From the publisher's feed
DeNOTE's principal aim is to encourage a creative mixture of practical and intellectual approaches to the musical realisation of eighteenth-century repertoires and to spotlight practice-based research…
topics that move beyond notation itself into the pe...