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Lisa Hanawalt had finally established herself as a freelance illustrator when her friend Raphael Bob-Wakesburg asked to borrow one of her drawings to pitch his animated series Bojack Horseman, which eventually ended up on Netflix. To Lisa's surprise, she eventually found herself in Los Angeles, overseeing a crew of dozens of artists as they tried to build a consistent world around her drawings of animal people -- which in some ways weren't that different from the stuff she used to draw as a kid. Learn more about your ad choices. Visit megaphone.fm/adchoices
Learn more about your ad choices. Visit podcastchoices.com/adchoices
By Eric Molinsky | QCODE4.8
19791,979 ratings
Lisa Hanawalt had finally established herself as a freelance illustrator when her friend Raphael Bob-Wakesburg asked to borrow one of her drawings to pitch his animated series Bojack Horseman, which eventually ended up on Netflix. To Lisa's surprise, she eventually found herself in Los Angeles, overseeing a crew of dozens of artists as they tried to build a consistent world around her drawings of animal people -- which in some ways weren't that different from the stuff she used to draw as a kid. Learn more about your ad choices. Visit megaphone.fm/adchoices
Learn more about your ad choices. Visit podcastchoices.com/adchoices

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