Alright, we’re back, and things are officially getting chaotic. This week, we’re shooting out of order because we’ve got Izzy taking over the “man on the street” interviews. She claimed she needed some liquid courage to get through it, but after chugging some fries, she was ready to grill the regulars.

We’re diving deep into the “Pretty Pavilion” (alliteration intended) and checking in with Meg, who is back from maternity leave and navigating the world of “Daddy Daycare” and 98-inch TVs. Plus, we’ve got a birthday boy from Philly who’s celebrating his 46th—and apparently, he and Todd are now best friends because they share an April birthday.

In this episode, we’re talking vibes, filming folks, and the “Hair Flip”:

* The Philly Connection: Why everyone from Philly thinks the city sucks but still yells “Go Birds,” and the unfortunate reality of leaving your car windows intact.

* The Pavilion Breakdown: Is it a pavilion? Does it have heaters? Yes to all, plus enough seating to replace eight parking spots with 100-some people.

* Professionalism (or the illusion of it): Todd explains why he wears the “videographer uniform” (all black/gray) to blend in, while Izzy insists on rocking hot pink and nautical stripes.

* The Hair Flip Technique: Todd reveals his secret editing trick—waiting for that natural “hair flip” to get the most authentic shot of the Starboard crowd.

* Masters Withdrawal: Dougie and Xander recap their time in Augusta with Monty,

We’re wrapping up with a new mantra for Summer 2026. We’re moving past “Don’t be that guy” and heading straight into “Keep it Positive 2026”.

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