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Across all human cultures, beliefs, superstitions, and stories about luck are prevalent. Our fascination with luck, intertwined with happiness, danger, uncertainty, and aspiration, makes it a captivating yet elusive concept. Different cultures reinterpret luck and seek to control it throughout their histories, and the modern era of the 'long twentieth century' is no different. Although overshadowed by more precise scientific concepts like chance, contingency, probability, or randomness, luck continues to thrive in its chaotic and vibrant form, appearing in our daily conversations and being studied by a diverse range of experts, from philosophers and psychologists to economists and self-help authors. This study aims to delve into the mystery of luck's role in modernity, investigating the various hybrid forms it has adopted in contemporary thought, particularly within modern narratives. By analyzing a diverse and rich array of narratives from literature, film, music, television, and theater – spanning from Dostoevsky to Philip K. Dick, from Pinocchio to Cimino, and from Curtiz to Kieślowski – it outlines the uses and meanings of luck-related language, while also mapping the significant figures, patterns, and motifs that shape the stories told about luck from the late nineteenth century to today.
The final part of this interview is dedicated to Robert Gordon’s earlier work, *Outrageous Fortune: Luck and the Holocaust* (New York: Centro Primo Levi, 2017). In this book, Gordon delves into the literary and philosophical themes surrounding luck, chance, and fortune, tracing their evolution from ancient myths to the writings of Dante, Boccaccio, Machiavelli, and Shakespeare. He investigates how Christian and Renaissance humanist authors redefined Fortuna, which influenced their thought processes and narrative techniques. In the latter sections of the book, Gordon transitions to the 20th century, uncovering fascinating and surprising connections between this literary tradition and the Shoah. He addresses the troubling issue of survival in concentration camps—who lived, why they survived, and what it signifies when Primo Levi often remarked that survival was ultimately a matter of sheer chance.