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On today’s date in 1944, 29-year-old American composer David Diamond had his Symphony No. 2 premiered by the Boston Symphony under the famous Russian conductor Serge Koussevitzky.
Diamond said he had written this music for charismatic Greek maestro Dimitri Mitropoulos, then the music director of the Minneapolis Symphony.
“Mitropoulos had given a fine performance of my Symphony No. 1,” Diamond said. “When I showed him the score of the Symphony No. 2 he said, ‘you must have the parts extracted at once!’ As these were readied, I asked him whether he was planning to perform the work. He then told me he thought he would not stay on in Minneapolis, but said, ‘Why don’t you send it to Koussevitzky?’ I did so, and Koussevitzky [invited me to a] trial reading at Symphony Hall. When it was over, the orchestra applauded like crazy. Koussevitzky turned to me and said, ‘I will play!’”
Successful as Diamond was back in 1944, for many decades thereafter his neo-Romantic symphonic scores were neglected until Gerard Schwartz’s CD recordings of some of them with the Seattle Symphony sparked a revival. By then, Diamond was in his 70s, and commented, “The romantic spirit in music is important because it is timeless.”
David Diamond (1915-2005): Symphony No. 2; Seattle Symphony; Gerard Schwarz, conductor; Delos 3093
By American Public Media4.7
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On today’s date in 1944, 29-year-old American composer David Diamond had his Symphony No. 2 premiered by the Boston Symphony under the famous Russian conductor Serge Koussevitzky.
Diamond said he had written this music for charismatic Greek maestro Dimitri Mitropoulos, then the music director of the Minneapolis Symphony.
“Mitropoulos had given a fine performance of my Symphony No. 1,” Diamond said. “When I showed him the score of the Symphony No. 2 he said, ‘you must have the parts extracted at once!’ As these were readied, I asked him whether he was planning to perform the work. He then told me he thought he would not stay on in Minneapolis, but said, ‘Why don’t you send it to Koussevitzky?’ I did so, and Koussevitzky [invited me to a] trial reading at Symphony Hall. When it was over, the orchestra applauded like crazy. Koussevitzky turned to me and said, ‘I will play!’”
Successful as Diamond was back in 1944, for many decades thereafter his neo-Romantic symphonic scores were neglected until Gerard Schwartz’s CD recordings of some of them with the Seattle Symphony sparked a revival. By then, Diamond was in his 70s, and commented, “The romantic spirit in music is important because it is timeless.”
David Diamond (1915-2005): Symphony No. 2; Seattle Symphony; Gerard Schwarz, conductor; Delos 3093

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