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We catch up with artist Sarah Friend (@isthisanart_)—starting with stories from NFT history past—and learn about Off, a coordination experiment with NFT art and Lifeforms, digital NFT entities that one must keep alive. 🌱
Haleek Maul is using his NFTs to bootstrap and support a Caribbean creator community, online and off, called HOLDERSLAND.
Punk 4156 talks the Nouns visio, covering innovative IP, governance, and cinematic universe b. Also: PFPs as a new medium.
Aubrey Anderson and George Howard helped create STOI, the Song That Owns Itself — they experiment with modern crypto-based royalty and licensing, on-chain governance, and human-facing interactive AI, all in the name of the autonomous entity that is God Particle.
Learn why profile picture NFTs took off recently! Plus, we drop knowledge on NFTs + social spaces, talk shit about NFT projects discuss how vested interests shape online narratives, and matt introduces a new protocol called Epoxy.
Supporting musicians, building on top of Zora, and the social dynamics of music listening and ownership with Jeremy Stern, the co-founder of Catalog.
Gary Young from Royalty Exchange gives us a look inside the music industry and how we might use NFTs to invest directly into an artist's off-chain royalties.
Literally just a delightful conversation with the lovely builder of all things Ethereum, Austin Griffith.
Generative artist 0xDEAFBEEF constantly pushes the edges of on-chain generative art—we chat about how and why his projects are exploring the boundaries of the medium of generative art.
How conceptual artist Yves Klein predicted 2021 in 1958, and how the digital manifestation of his work was brought to life in 2017—just after CryptoPunks—by Mitchell Chan.
From the publisher's feed