DIRTYMIX

Each week, one of our invited guest producers and dj’s will create an exclusive one hour continuous mix, giving them the chance to break genre barriers, and giving you an opportunity to explore a unique soundtrack.

This week, Italian producer “Nheap” showcases a selection of ambient electronic.

01. Nheap – Photoperiodism (00:00)

Massimo Discepoli, aka Nheap, is a musician and producer from Perugia, Italy. Nheap’s music can generically be defined “electronic”, but actually it is influenced from nearly every musical genre, jazz to ambient, classical to contemporary, and obviously every kind of electronic music. Nheap’s main influences are Aphex Twin, Squarepusher, Miles Davis, Bach (and many many others).

He started playing drums in 1990, exploring every musical genre over the years, particularly jazz and funk (for example on the Vibrham CD by the homonymous trio, recorded in 2006 and internationally distributed).

In 2005 he started playing piano, and at the same time began producing his own music. The first album “Realight”, was released in 2008 by the Musicaoltranza netlabel, and it was favorably reviewed by the press. Some other tracks were included in various compilations.

Nheap’s second full length release, ‘skymotion’ is features 10 tracks, ranging from jazz to electronic and ambient to avantgarde; the drums were played live. The album is available for free download at nheap.com until October 30th 2009; then it will be available on iTunes and others online vendors, and also on nheap.com and acustronica.com.

Nheap is aiming to reach an ever tighter integration between electronic music and music played with real instruments, at the same time not excluding totally electronics or acoustics compositions.

Official Website: http://www.nheap.com

Each week, one of our invited guest producers and dj’s will create an exclusive one hour continuous mix, giving them the chance to break genre barriers, and giving you an opportunity to explore a unique soundtrack.

This week we head to Sweden, home of colourful DJ, singer, songwriter and producer – Adeline Supreme.

Tracklist

As a host of P3 Dans, the biggest electronic music radio show in Scandinavia on Swedish National Radio, Adeline is spreading her love for electronic music to about 200,000 listeners across Scandinavia every month.

Combined with releases on Einmaleins Musik and Keno Records (David Keno/Kindisch) and djing’ around Sweden, Europe and in the US since late 2005, she has established herself as a colourful dj and artist.

It’s behind the decks where Adeline really shines. Playing club focused 4/4, from percussive deep house rhythms to early morning techno, one thing that is always present is energy, never failing to make the dance floor shiver.

Supreme indeed!

Adeline Supreme is part of the fab dj duo Housewives, twice awarded for Best Club and with two fresh releases, first single Dirty Dancing and a major label remix for the biggest rock band in Sweden.

More Info:

Would You..? Mix by adeline

Each week, one of our invited guest producers and dj’s will create an exclusive one hour continuous mix, giving them the chance to break genre barriers, and giving you an opportunity to explore a unique soundtrack.

This week LA based Palenke Soultribe step up for a session of breakbeats, electro-dance grooves and touches of traditional Afro-Colombian rhythms.

[Tracklist to follow – please check back]

Critically-acclaimed LA-based Colombian , Palenke Soultribe, have taken electronic music to new heights by deconstructing Afro-Colombian rhythms and blending them with underground beats and exploratory synthesizer sounds. Palenke Soultribe (PST) represents the new generation of Colombian musicians ready to break all the rules.

Interview by Yannick Joubert

Y: First for the fan who were at the concert in Chicago last week. How did you like your experience in the city?

Juan: Chicago is an amazing city. We are happy to know that Palenke brought us here. We had a chance to look around and admire its architecture and public spaces.

Y. Palenke as mini tribe… what music would you listen growing up? Personal favorite.

Juan: One af the good things about being a band, is that you have a variety of influences merging together onto a musical proposal. So for example all us were exposed to old Colombian music like cumbias, porros, etc..when we were kids, but also we had music coming on the radio from Europe an USA. We have very different influences anyway they go from The Beatles, Pixies, Michael Jackson. Even if they don’t fit under the same genre. At the end it is all art. I remember a savvy music teacher saying : ” …There are just two types of music : the good one,and the bad one” More recently The Chemical Brothers, Underworld, FatBoy Slim and Soulwax have directed our sound.

Y. How did you guys meet up ?

Juan: Me (Insecto) and Popa met in 1999 at recording studio in Manizales, Colombia where we were doing projects for our bands. We started to talk about music and felt we had great coincidences and similar visions of the music wwe would like to do then. We started to work on the project under a different name.” Polaina Dinamita” we released 4-5 songs. Polaina started to explore the possibilities of mixing electronica wit latin stuff. years later after a 4-5 year gap we resumed production in a different city, Los angeles; a differnet name, Palenke, We incorporated the incredible sound of drummer Zuluaga who gave us that extra punch we were looking for.

Juan: We take every challenge as an opportunity to do something artistic and to learn more. After all it is about using your ears, the experiences you have collected and the tools available. Sometimes we feel we are involved in too many things which adds some stress but that is the way it is gotta be now when we still have some physical strength!

Y. Today’s technology offer so many possibility and you guys seem to embrace it a lot seeing you use multiple controller with Ableton Live. How is the recording process vs. playing live, do you compose directly in Ableton?

Juan: Ableton is a great tool for us. Different producers have their own babies and I am not saying it is the greatest tool ever ( unless Ableton pays me 1 zillion dollars to say it) but it is the one that fits our needs. Both Live and Studio. The main advantage is it lets you alter things without pressing the STOP button. That allows us to create things on the fly. Virtually on the fly. We recently created a remix on a plane between Chicago- LAX. Then you get to LA, open the session in your studio, mix it for a couple of hours and send it over. That simple. It is the workflow.

Y. One of the thing I quite enjoy on your album is the fact that there’s multiple guest vocalist on there and your use of vocoder, the fusion of it all make quite it quite diverse, was there a reason for this. Any guest vocalist you would love to collaborate with?

Juan: Well I think started form knowing that we are decent producers but necessarily great singers. You have to know your limitations and work around that. Luckly we are close friends with great people like Itagui from Locos Por Juan, Sr. Mendez, Toddy Ivy, Pollyanna, etc..so we are always experimenting with different colors. Also, Technology can help. That probably make our records more bearable. Would you imagine Karl Hyde singing an electro-cumbia? that would be sick!

Y. Travelling around and playing around the world, do you keep the recording process going even on the road ?

Juan: We try to do stuff between tour dates. We work ideas on our spare time in hotels etc..Then when we find two weeks off we try to mix in the studio and record the instruments.

Y. Something random, if there was such a thing as brain add-on to bring more possibility to the music production would you get surgery to have the lastest toy?

Juan: Ha, ha! probably not. We always forget to recharge our cellphones, I know we would forget to recharge our brains.

Y. Soundcloud and social media propagation / Youtube revenue sharing… it’s starting to feel like Google and the Itunes store are becoming the new labels of this age, how do you feel about this, do you think it open up more opportunities for band than being on a label.

Juan: Well a label it is not a bad thing. Depending on your deal. But generally if you get a decent deal you will also benefit from their reputation, contacts and history. But it is not a must. You can develop you own thing if you have the time, the will and a decent product . They are great tools out there for a band to become known.

Y. What’s in the future box for Palenke? Dream place to play ? Favorite festival ?

Juan: We are working on our next EP . titled MAR. We just released another one called WEPALENKE. WE like the idea of releasing short records every 3-4 months . Thats keeps our fans close and it is a good way to track our progress. We have a load of show ahead of us that include USA, Colombia and Mexico. We are pursuing Europe and Canada. We would also love to play in Coachella.

Y. We love to share music and would like it if you could share artists we and your fans should check out.

Juan: Speaking of sharing . Please download our latest EP for free. http://palenkesoultribe.bandcamp.com/album/wepalenke-ep. Also check Locos por Juana (Miami) , Sr. Mendez (Venezuela), Superlitio (Colombia) , Blanali (Bogota) great friends and artists.

Y. Bonus Q Palenke Buffet…knowing your music we would love to have you guys to cook us a meal, what would it be?

Juan: Hey you should try the Ajiaco ( Colombian food) . We don’t feel that strong with the knifes and pans but we would take you to Las Tablas in Chicago and pay for it!!! deal?

Official Site: http://www.palenkesoultribe.com/

Each week, one of our invited guest producers and dj’s will create an exclusive one hour continuous mix, giving them the chance to break genre barriers, and giving you an opportunity to explore a unique soundtrack.

This week, Dublin based producer Shatterfreak steps up for a bone shattering Dubstep session.

Website : www.shatterfreak.com

End.

To kick off our new podcast series on dirtyradio, we take a dip into some deep house grooves from the ‘Celtic collaborative’ Groovepig. Each week, one of our invited guest producers and dj’s showcase an exclusive one hour continuous mix, giving them the chance to break genre barriers, and giving you an opportunity to explore a unique soundtrack.

Despite the difficult schedule, we did manage to catch up with the pair before the release of the mix to find ot more about this project!

Mpig: “Ah yes, its not very interesting really, but it stems from a long standing ‘inside joke’ that came from a note Dpig had left about guinea pigs, which was lost in translation.. Because of the misunderstanding, one of us thought it was ‘genuine pig’. When it comes to our creative principles, groove is king, so when it came to choosing our collaboration name Groovepig seemed to fit perfectly.”

Mpig: “The motivation behind this project was too see if we could create a mix that focused purely on the momentum of the sounds, whilst combining our interests in house music. We hit it off instantly, and despite a lot of changes along the way, the result was a well crafted mix that we put a lot of thought into.”

Dpig: “It’s totally different to working together at a live event where you can choose a direction based on the crowd, you have to trust your instinct in the studio and offer genuine feedback to each other along the way. Sometimes it means purging hours of work, but the end result is worth it.”

Dpig: “It took a very, long time, longer than it should – perhaps an 8 month journey from conception to final touches – maybe a couple of hours a week. We were transferring files back and forth over networks and working on it when we had time out of our personal schedules – sometimes a couple of hours a week!

Mpig: “The relaxed time-scale also gave us a chance to think about the sonic quality of the mix, a skill that is difficult to master in a live set-up. Ableton facilitated the necessary flexibility and Dpig worked really hard on the mastering, we wanted to get the best out of the sounds.”

Mpig: “Definitely! In fact were able to really look deep in our record boxes and pull out gems that might not necessarily work in a typical set, but we were able to extract elements from those tracks and layer them to create some great textures.”

Dpig: “That’s what I love about house mixing – the idea is groove – so you can really blend in a track

End.