Discograffiti is the deep-dive podcast for music obsessives. In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series. It’s Chuck’s dizzyingly inspired chat with legendary producer Mark Linett, the producer and audio engineer best known for his remixing and remastering of The Beach Boys’ catalog. Since 1988, he’s been the engineer of choice for Brian Wilson’s recordings. In 1996, Linett created the first true stereo mix of Pet Sounds. He’s also co-produced nearly all of the band's archival releases, including 1997’s The Pet Sounds Sessions, 1998’s Endless Harmony Soundtrack, 2003’s Hawthorne, CA, and 2011’s The Smile Sessions, as well as the Feel Flows (2021) and Sail On Sailor (2022) box sets.  In addition to earning three Grammy Awards, he was nominated for Best Engineered Album for his work on 2004’s Brian Wilson Presents Smile. He’s also worked with Red Hot Chili Peppers, Jane’s Addiction, Los Lobos, Rickie Lee Jones, and Randy Newman. 

This is Chuck’s lengthy and consistently fascinating interview with Mark from the early 2000’s for his Pet Sounds book…stay tuned for my own more recent interview, which covers completely different territory.

There’ll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti’s Patreon. Don’t miss it, or you’ll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we’ll all have world peace.

Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up)

Free Sneak Peek: linktr.ee/discograffiti

Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It’s completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti’s weekly bonus episodes and access to our entire Patreon episode archive. There are now over 400 Patreon episodes.

Discograffiti is the deep-dive podcast for music obsessives.  In this episode, host Dave Gebroe talks with the epitome of DIY punk spirit (who can also write a pop hook like the best of ‘em), the great Mark Robinson (of Unrest, Grenadine, Air Miami, Flint Flon, Uncomfortable Police, et al), and together they discuss Billy Joel’s entire recorded output with commentary, stories, and star ratings for every release. If you’re a long-time listener, then you know that Dave has harbored a long-time hatred of Billy Joel…so why the sudden turnaround in taste? Discograffiti’s Mark Robinson Tackles Billy Joel (But Only Metaphorically) Series dissects every last release Billy Joel’s ever had a hand in creating. Part 4 covers the first couple records that Billy made after becoming a superstar: 52nd Street and Glass Houses. 

Here are just a few of the many things that Mark discusses with Discograffiti in this podcast:

Listen: linktr.ee/discograffiti

I support a wife and a six-year-old son with Discograffiti as my sole source of income. 

If you’re a Mark Robinson & Billy Joel superfan like me, The Director’s Cut of this episode is ad-free and features 6 additional minutes of essential material.  Support Discograffiti by opting for this clearly superior version.

Either subscribe to Discograffiti’s Patreon at the Lieutenant or Major Tier, or just grab the episode as a one-off at the same link.

The Director’s Cut: Patreon.com/Discograffiti

Discograffiti is the deep-dive podcast for music obsessives. In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series. It’s Chuck’s chat with legendary producer Phil Ramone, Billy Joel’s most relied-upon right-hand-man, the producer of every Billy Joel record during the height of his popularity, from 1977’s The Stranger to 1986’s The Bridge. Phil won his first production Grammy for his work on Paul Simon’s Still Crazy After All These Years in 1975, eventually becoming chairman of The Recording Academy. He also helped produce, with Quincy Jones, 2001’s televised A Tribute To Brian Wilson. His credits and accomplishments in the industry are almost literally endless, and what better place to learn about them than Chuck Granata’s 2007 memoir (co-written with Phil) Making Records: The Scenes Behind The Music. Phil passed away a few years after this interview in 2013, which makes this posthumously released “Chuck Chat” yet another priceless buried treasure.  

Here are just a few of the many things that Phil discusses with Discograffiti in this podcast:

There’ll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti’s Patreon. Don’t miss it, or you’ll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we’ll all have world peace.

Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up)

Free Sneak Peek: linktr.ee/discograffiti

Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It’s completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti’s weekly bonus episodes and access to our entire Patreon episode archive. There are now over 400 Patreon episodes.

Discograffiti is the deep-dive podcast for music obsessives.  In this episode, host Dave Gebroe talks with the epitome of DIY punk spirit (who can also write a pop hook like the best of ‘em), the great Mark Robinson (of Unrest, Grenadine, Air Miami, Flint Flon, Uncomfortable Police, et al), and together they discuss Billy Joel’s entire recorded output with commentary, stories, and star ratings for every release. If you’re a long-time listener, then you know that Dave has harbored a long-time hatred of Billy Joel…so why the sudden turnaround in taste? Discograffiti’s Mark Robinson Tackles Billy Joel (But Only Metaphorically) Series dissects every last release Billy Joel’s ever had a hand in creating. Part 3 tackles the two mid-1970s records that, after their release, wound up turning him into a superstar: Turnstiles & The Stranger.  

Here are just a few of the many things that Mark discusses with Discograffiti in this podcast:

Listen: linktr.ee/discograffiti

I support a wife and a six-year-old son with Discograffiti as my sole source of income. 

The Director’s Cut of this episode is ad-free and features a plethora of additional essential material. Support Discograffiti by opting for this clearly superior version.

Either subscribe to Discograffiti’s Patreon at the Lieutenant or Major Tier, or just grab the episode as a one-off at the same link.

The Director’s Cut: Patreon.com/Discograffiti

Discograffiti is the deep-dive podcast for music obsessives.  In this episode, host Dave Gebroe talks with the epitome of DIY punk spirit (who can also write a pop hook like the best of ‘em), the great Mark Robinson (of Unrest, Grenadine, Air Miami, Flint Flon, Uncomfortable Police, et al), and together they discuss Billy Joel’s entire recorded output with commentary, stories, and star ratings for every release. If you’re a long-time listener, then you know that Dave has harbored a long-time hatred of Billy Joel…so why the sudden turnaround in taste? Discograffiti’s Mark Robinson Tackles Billy Joel (But Only Metaphorically) Series dissects every last release Billy Joel’s ever had a hand in creating. Part 2 tackles his two early-1970s, California-based albums after signing with Columbia Records: Piano Man & Streetlife Serenade. 

Here are just a few of the many things that Mark discusses with Discograffiti in this podcast:

There’ll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti’s Patreon. Don’t miss it, or you’ll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we’ll all have world peace.

Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up)

Free Sneak Peek: linktr.ee/discograffiti

Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It’s completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti’s weekly bonus episodes and access to our entire Patreon episode archive. There are now over 400 Patreon episodes.

Discograffiti is the deep-dive podcast for music obsessives.  In this episode, host Dave Gebroe talks with the epitome of DIY punk spirit (who can also write a pop hook like the best of ‘em), the great Mark Robinson (of Unrest, Grenadine, Air Miami, Flint Flon, Uncomfortable Police, et al), and together they discuss Billy Joel’s entire recorded output with commentary, stories, and star ratings for every release. If you’re a long-time listener, then you know that Dave has harbored a long-time hatred of Billy Joel…so why the sudden turnaround in taste? Discograffiti’s Mark Robinson Tackles Billy Joel (But Only Metaphorically) Series dissects every last release Billy Joel’s ever had a hand in creating. Part 1 tackles his turmoil-ridden ancient history, including early bands The Hassles and Attila, plus his debut LP, Cold Spring Harbor. 

Here are just a few of the many things that Mark discusses with Discograffiti in this podcast:

Listen: linktr.ee/discograffiti

I support a wife and a six-year-old son with Discograffiti as my sole source of income. 

If you’re a Mark Robinson & Billy Joel superfan like me, The Director’s Cut of this episode is ad-free and features 12 additional minutes of essential material.  Support Discograffiti by opting for this clearly superior version.

Either subscribe to Discograffiti’s Patreon at the Lieutenant or Major Tier, or just grab the episode as a one-off at the same link.

The Director’s Cut: Patreon.com/Discograffiti

Discograffiti is the deep-dive podcast for music obsessives. In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series. It’s Chuck’s chat with legendary Gold Star engineer Larry Levine, the man responsible, side by side with The Wrecking Crew, for building Phil Spector’s "Wall of Sound”. His peak accomplishments include “Be My Baby”, “Summertime Blues”, “River Deep, Mountain High”, “You’ve Lost That Lovin’ Feelin’”, “He’s A Rebel”, "Then He Kissed Me", A Christmas Gift For You From Phil Spector, Pet Sounds, Smile, and so many others. Herb Alpert and Jerry Moss poached Larry in 1967, making him A&M Records’ Chief Engineer. Larry passed away just a few years after this interview in 2008, which makes this posthumously released “Chuck Chat” yet another priceless buried treasure.  

Here are just a few of the many things that Larry discusses with Discograffiti in this podcast:

There’ll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti’s Patreon. Don’t miss it, or you’ll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we’ll all have world peace.

Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up)

Free Sneak Peek: linktr.ee/discograffiti

Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It’s completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti’s weekly bonus episodes and access to our entire Patreon episode archive. There are now over 400 Patreon episodes.

Discograffiti is the deep-dive podcast for music obsessives.  In this episode, Graham Nash discusses David Crosby’s classic solo debut If I Could Only Remember My Name with commentary and stories. Discograffiti’s Wild Tales: The Graham Nash Interview Series tackles every last release the great Graham Nash ever had a hand in creating, including CSN/Y, C&N, and his solo career, detailing a history almost too wild to be believed. 

Here are just a few of the many things that Graham discusses with Discograffiti in this podcast:

Listen: linktr.ee/discograffiti

I support a wife and a six-year-old son with Discograffiti as my sole source of income. 

If you’re a Graham Nash & CSNY superfan like me, The Director’s Cut of this episode is ad-free and features 14 additional minutes of essential material.  Support Discograffiti by opting for this clearly superiorr version.

Either subscribe to Discograffiti’s Patreon at the Lieutenant or Major Tier, or just grab the episode as a one-off at the same link.

The Director’s Cut (14m extra): Patreon.com/Discograffiti

Discograffiti is the deep-dive podcast for music obsessives.  In this episode, we feature the next entry in The Chuck Granata Pet Sounds Interview Series. It’s Chuck’s chat with re-issue genius Bob Irwin. Bob and his wife Mary started the Sundazed Music label in 1989. The first Sundazed releases were The Great Lost Knickerbockers Album! by The Knickerbockers and Western Union by The Five Americans, and reflected Irwin's personal preference for garage rock and surf music. His skill at restoring old vinyl records for the (then new) CD format attracted the attention of major labels, who increasingly solicited him to help them re-issue material from their back catalogs. He also helped Sony Music release their archival Legacy Records label. Later, his restoration work included early material by the likes of Bob Dylan, Nancy Sinatra, & The Byrds.

In this episode, Bob discusses his relationship with Pet Sounds, its standing in the pantheon no matter how many times you’ve heard it, its importance and influence on music in general, and the wonders of a technology with inherent, imposed limitations.

There’ll be a short sneak peak running publicly for free, but the entirety of this podcast will only be accessible on the Major Tier of Discograffiti’s Patreon. Don’t miss it, or you’ll only be getting part of the story. Get it as a one-off, or better yet just subscribe…and then we’ll all have world peace.

Full Episode: Patreon.com/Discograffiti (available on the Major Tier & up)

Free Sneak Peek: linktr.ee/discograffiti

Subscribe to Discograffiti's Patreon and receive a ceaseless barrage (4 shows a week!) of must-hear binge-listening. It’s completely free to be a basic member, $1 to get your backstage pass, $5/month for the weekly Sunday show by & for our community, $10 for weekly early release, ad-free, super-extended Director's Cuts of the main show plus access to half our Patreon episode archive, & $20 for Discograffiti’s weekly bonus episodes and access to our entire Patreon episode archive. There are now over 400 Patreon episodes.

Welcome to a new, FREE episode of what is typically Rudy Fischmann's Patreon-only "podcast-within-a-podcast", The Discograffiti Soldiers of Sound Podcast.  This episode was so goddamn strong, it literally broke through the paywall by itself and leaped into the public stream of its own accord.

The "voice" of The Sabbath Sessions is back, but this time to explore a far more debauched tale about a group of nerds (er, brassholes?) who found themselves flush with instrument reeds, cash, and lots and lots of cocaine while recording another roman numeralled Chicago LP in a remote Colorado location.

And yet somehow, it all resulted in a #1 platinum-selling double album.

Get to know your new music-obsessed friends in Rudy Fischmann's fascinating podcast-within-a-podcast, The Discograffiti Soldiers of Sound Podcast, created exclusively by & for Discograffiti's "Soldiers of Sound" Patreon community.

Listen & Subscribe at the Private Tier to receive weekly episodes: Patreon.com/Discograffiti