This was Hayden Croft’s fourth appearance on this podcast because it represents his fourth film that has screened at either Film Invasion Los Angeles or Sherman Oaks Film Festival. In March 2018, he came by with actor/producer Jay Eftimoski to discuss their film “New Age, Olde English” which screened at SOFF 2016. In July 2021, he came by to discuss “Last Wish” which screened at FILA 2018. In September 2021, he came by to discuss “Four Junkies” which screened at SOFF 2019. And today he came in to discuss… The short film “Tax Time” that screened at FILA 2023 and, almost more importantly, his self-published short story anthology “Kisses from Strangers in the Dark” that he gave me in 2018, and his currently unpublished novel “Sand Ramsey is a Dick” aka “Oh No, NoHo” aka “No Way, NoHo.”
We had a LOT to talk about!
You can learn more about Hayden and his work at haydenlcroft.com and, to get a little high art on y’all, below is the poem Hayden recited on this podcast!
Contending with the coarseness, current culture
Confers a change – of course – on once
conventional conceptions.
Collective condescension can oft condemn the
And the cover-up contenders, who conceal their
They concoct a coalition of compelling
To consort with the contentious, and contort all
Coercion is a construct used to codify
And by condoning corporate conduct, one
Crude, continual conjecture on the concept that
Is both critical, and cynical, and caters to the
In conscripting crowds to conquest, your charm
Your commands be uncontested; your charisma
To capture the chaotic, then condemn it to
The combative must be concrete; any comfort’s
The conditions of convection are conveyed
And constricting coalescence, can’t constrain
Contained within this charter, is the credible
Of contro-versy contagions, meant to
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