Sean Combs, also known as Puff Daddy, Puffy, and P. Diddy, remains at the center of a storm of legal drama, documentary exposés, and family backlash, as his fall from music mogul to convicted felon continues to unfold in the headlines.

USA Today reports that Combs is currently serving a federal prison sentence of just over four years after his conviction on charges of transportation to engage in prostitution, part of a wider federal case that publicly aired allegations of sex trafficking, drugs, and violent “freak-off” parties tied to his inner circle. According to the Federal Bureau of Prisons data cited by USA Today, his projected release date is in 2028, though that may shift with time served and any successful appeals.

The most explosive new chapter is Netflix’s multi-part docuseries Sean Combs: The Reckoning, executive produced by his longtime rival Curtis “50 Cent” Jackson. USA Today explains that the series traces Combs’ rise from Bad Boy Records architect and hitmaker to a symbol of celebrity excess and alleged abuse, featuring never-before-seen footage and interviews with former insiders who describe how “something darker” began to color his ambitions. Director Alexandria Stapleton has said the project was in part inspired by Combs’ ex-girlfriend Cassie Ventura and her 2023 sexual assault lawsuit, and she frames the series as a mirror held up to a culture that puts stars on pedestals they may not deserve.

The Netflix release has reignited the decades-long feud between Combs and 50 Cent. LadBible breaks down how their rivalry, once mostly about business competition and trolling, has now escalated into a high-stakes battle over narrative and reputation, with 50 Cent positioning himself as a truth-teller exposing industry secrets while capitalizing on Combs’ downfall.

Inside the Combs family itself, the pushback is fierce. RadarOnline reports that Sean Combs’ mother, Janice Combs, has publicly blasted Netflix and the docuseries as “lies” and “outrageous and past offensive.” In a statement, she specifically denies a claim in the series that her son once slapped her after the tragic 1991 City College event, calling that allegation “patently false” and accusing former Bad Boy executive Kirk Burrows of exploiting a tragedy for personal gain. She argues the series was intentionally designed to be salacious, and Combs’ legal team has sent Netflix a cease-and-desist letter, labeling the project a corporate “hit piece.” Netflix, for its part, denies any retaliation and insists no one was paid to participate and that 50 Cent does not have creative control over the final cut.

Through it all, Combs sits behind bars, appealing his conviction while the public continues to reassess his legacy: visionary hitmaker, ruthless mogul, alleged abuser—or all of the above. The story of Sean Combs is no longer just about chart-topping hits, but about power, accountability, and what happens when a cultural icon faces the full weight of the legal system and the court of public opinion at the same time.

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