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Dissecting... Di Provenza il mar il suol from La Traviata
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In this season we are reviewing the most popular arias of all times. This time another great favorite from La Traviata: Giorgio Germont's aria.
By far, one of the most beautiful melodies ever written for the baritone voice. There is no soprano who doesn't have it in her repertoire.
In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.
Support the show
You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging
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By Katia Arellano / Ricardo RamirezSend us a text
In this season we are reviewing the most popular arias of all times. This time another great favorite from La Traviata: Giorgio Germont's aria.
By far, one of the most beautiful melodies ever written for the baritone voice. There is no soprano who doesn't have it in her repertoire.
In this season we talk about the author, and we analyze the aria from a technical vocal point of view as well as the interpretation based on the situation the character is going through.
Support the show
You can join our channel in Telegram:
https://t.me/OperaWeLoveSinging