In this episode, I explore how Mozart’s operatic women trace a developmental arc of feminine consciousness—from emotional awakening (the Ingénue), to selfhood and vocal power (the Diva), to embodied relational intelligence (the Vixen), and finally to something radically new: moral agency. Through arias by Pamina, the Countess, Fiordiligi, Zerlina, Susanna, and Vitellia, we hear how Mozart composes not just characters, but inner lives in motion. The episode reveals Mozart as a composer of subjectivity, showing how women in his operas become the emotional and ethical centers of their worlds—capable not only of feeling and choosing, but of transforming others through forgiveness, clarity, and conscious presence.