We know you love us - but "Do You Love Me"? Berry Gordy got Motown started in 62 with The Contours and it might be a little revenge-romance fantasy. You will love Billy Gordon's vocal performance, the amazing backing vocal performance by FOUR other singers, to say nothing of The Funk Brothers. In '65, Paul Revere & The Raiders cranked out a version that's a lil bit ska, a lil bit surf. With palm muting - wild! The dawn of the 70s brought a strange, easy listening rendition by Essex's finest - Deep Feeling. Not far away, podcast faves Silicon Teens waxed the track in 79 and you know we love Daniel Miller's synth and soul (?) sounds ... The 80s got weird with Andy Fraser's attempt in 84 - the song is meh but the video is adorable. Finally, there's a version from 94 by Duke Baysee, and, true to the song, the dude is really working. Watch us now!

We know you love us - but "Do You Love Me"? Berry Gordy got Motown started in 62 with The Contours and it might be a little revenge-romance fantasy. You will love Billy Gordon's vocal performance, the amazing backing vocal performance by FOUR other singers, to say nothing of The Funk Brothers. In '65, Paul Revere & The Raiders cranked out a version that's a lil bit ska, a lil bit surf. With palm muting - wild! The dawn of the 70s brought a strange, easy listening rendition by Essex's finest - Deep Feeling. Not far away, podcast faves Silicon Teens waxed the track in 79 and you know we love Daniel Miller's synth and soul (?) sounds ... The 80s got weird with Andy Fraser's attempt in 84 - the song is meh but the video is adorable. Finally, there's a version from 94 by Duke Baysee, and, true to the song, the dude is really working. Watch us now!

We know you love us - but "Do You Love Me"?&nbsp;Berry Gordy got Motown started in 62 with&nbsp;The Contours&nbsp;and it might be a little revenge-romance fantasy. You&nbsp;will&nbsp;love Billy Gordon's vocal performance, the amazing backing vocal performance by FOUR other singers, to say nothing of&nbsp;The Funk Brothers. In '65,&nbsp;Paul Revere &amp; The Raiders cranked out a version that's a lil bit ska, a lil bit surf. With palm muting - wild! The dawn of the 70s brought a strange, easy listening rendition by Essex's finest -&nbsp;Deep Feeling. Not far away, podcast faves&nbsp;Silicon Teens waxed the track in 79 and you know we love&nbsp;Daniel Miller's synth and soul (?) sounds ... The 80s got weird with&nbsp;Andy Fraser's attempt in 84 - the song is meh but the video is adorable. Finally, there's a version from 94 by&nbsp;Duke Baysee, and, true to the song, the dude is really working. Watch us now!

Do You Love Me

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Music

Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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Do You Love Me

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