Social media is an important part of promoting any project, but particularly films. In this episode, we meet Anne Evans, our first social media lead and sister of Director Christian Taylor. Anne shares how she got started in this role and dissect her plan for raising money for The Girl Who Wore Freedom.

What does it take to run a focus group screening? In this episode, Director Christian Taylor shares how the eleven screenings were planned for Normandy to gather feedback from the five-hundred people who have seen the film.

Director Christian Taylor is in France preparing to screen the film, but the drive doesn't work. In this episode, we celebrate the first focus group event of The Girl Who Wore Freedom in Normandy, France, discuss the struggle to make it a reality, and share first impressions.

In this episode, Director Christian Taylor shares an update after visiting Mississippi and screening for veterans with dramatically moving results. Because we've been so busy with that, we're also reairing Episode 2 of the Documentary First podcast in lieu of a new episode. Check out normandystories.com for the latest information about our film.

In this episode, Director Christian Taylor shares an update after running a focus group for The Girl Who Wore Freedom in Normandy for D-Day Celebrations. Because we've been so busy with that, we're also reairing Episode 1 of the Documentary First podcast in lieu of a new episode. Check out normandystories.com for the latest information about our film.

Director Christian Taylor looks ahead to the next steps for “The Girl Who Wore Freedom” and speculates about what it will be like to watch the film at the first focus group events.

Working with footage and audiences that represent at least two distinct languages is no small task. Director Christian Taylor talks about the complexity of subtitling and her project’s tight turnaround for sound and score.

A good composer understands both emotion and serendipity. There's no better example than how Jeff Kurtenacker came to be the Lead Composer on The Girl Who Wore Freedom. Listen in as Director Christian Taylor shares his story and how she learned to communicate with emotion.

When you're a bootstrapped documentary you sometimes have to pick free or inexpensive tools to get the job done. For The Girl Who Wore Freedom Director Christian Taylor talks about the pain of editing ("killing your babies" to get the timing and tone right) and shares some of her favorite tools that she's come to love (including Google Drive, Trello, Frame.io, and Zoom).

A good editor is hard to come by and The Girl Who Wore Freedom was blessed with one of the best: Bill Ebel. Learn more as Director Christian Taylor shares her appreciation for Bill and the qualities (and hard truth) that make him the best possible editor for our documentary.