Michele Zousmer, the featured photographer in the March 2025 issue of Street Photography Magazine is a San Diego-based humanitarian photographer, has dedicated her photographic work to illuminating overlooked communities and challenging societal perceptions. Starting as a sports photographer capturing her son’s basketball games, Michele’s path led her to document stories ranging from women in prison to homeless choir members, ultimately finding her most profound work among Ireland’s Traveller community.

For the past seven years, Michele has immersed herself in the Traveller culture, gaining unprecedented access through an approach that prioritizes human connection over technical perfection. “I literally talk to them. It’s almost like a game,” she explains. “What mascara are you wearing? I’m not kidding. We just like talking makeup on the side of the road.”

This seemingly casual approach belies a deeper purpose. Through her recently published book “Mis[s]understood,” she reveals the complex realities of a marginalized community facing widespread discrimination. Her photographs capture both the vibrancy of Traveller culture and the challenges they face, particularly in education and housing.

“The more I got to know them, I came back many times,” Michele reflects. “I actually thought that they have a lot of traditions that we’ve lost in America. They are so family oriented. Everything is family. They live together as family. All the generations live together.”

Her work with the Voices of Our City Choir in San Diego demonstrates similar depth of connection. What began as documenting a homeless choir led to an intimate film project when choir member Steven Reed asked her to document his final months battling liver cancer. Despite initial hesitation due to her own experience with loss, Michele agreed, creating “Sounds of the Sidewalk: A Journey of Goodbye.” The resulting film not only honored Reed’s story but helped change perceptions of homelessness.

“I really feel that way, and I see the world that way,” she says of her approach to humanitarian photography. “I think vulnerability is so important, and I’m always very open and vulnerable. I could be vulnerable with my people that I’m relating to, but I do think you have to be careful who you share it with.”

This philosophy has earned her the trust of communities often wary of outsiders, resulting in intimate portraits that challenge viewers to see beyond stereotypes and recognize our shared humanity.

This is only part of Michele’s story, so please be sure to listen to our conversation. You won’t regret it.

• Michele’s Website